Karen Van Dyck directed Hellenic Studies in the Classics Department at Columbia (1988-2016) and has also been an active member of the Institute for Research on Women, Sexuality and Gender (IRWSG), the Institute of Comparative Literature and Society (ICLS), the European Institute and the Istanbul Global Center. She is the author of Kassandra and the Censors, The Rehearsal of Misunderstanding, The Scattered Papers of Penelope, and Austerity Measures: The New Greek Poetry that won the London Hellenic Prize (2016). Her essays, translations and poetry have appeared in LARB, the Guardian, World Literature Today, and Tender.

Karen Van Dyck directed Hellenic Studies in the Classics Department at Columbia (1988-2016) and has also been an active member of the Institute for Research on Women, Sexuality and Gender (IRWSG), the Institute of Comparative Literature and Society (ICLS), the European Institute and the Istanbul Global Center. She is the author of Kassandra and the Censors, The Rehearsal of Misunderstanding, The Scattered Papers of Penelope, and Austerity Measures: The New Greek Poetry that won the London Hellenic Prize (2016). Her essays, translations and poetry have appeared in LARB, the Guardian, World Literature Today, and Tender.

Karen Van Dyck directed Hellenic Studies in the Classics Department at Columbia (1988-2016) and has also been an active member of the Institute for Research on Women, Sexuality and Gender (IRWSG), the Institute of Comparative Literature and Society (ICLS), the European Institute and the Istanbul Global Center. She is the author of Kassandra and the Censors, The Rehearsal of Misunderstanding, The Scattered Papers of Penelope, and Austerity Measures: The New Greek Poetry that won the London Hellenic Prize (2016). Her essays, translations and poetry have appeared in LARB, the Guardian, World Literature Today, and Tender.