Ashutosh Bhardwaj is an independent writer, journalist, and literary critic. He has worked with the leading daily The Indian Express and has been a Fellow at the Indian Institute of Advanced Study, Shimla (2017–2019). Besides, he has received several awards and fellowships for his work as a journalist and critic. He has three books to his credit: a short story collection (Jo Frame Men Na The, 2010), a book of essays on literature (Pitra-Vadh, 2019), and a novelistic account of the Maoist insurgency in Bastar (The Death Script, 2020), which was shortlisted for Tata Lit Fest and awarded the Non-Fiction Book of the Year 2020 at Bangalore Lit Fest. He has also published numerous articles and reviews and has presented academic papers in several national and international seminars. Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and Postcolonial literatures. A member of EMMA, she has published numerous articles and book chapters. Her areas of specialisation are Anglophone Caribbean, Indo- and Sino-Caribbean literatures, diaspora, and migrant writing.She is General editor of the series PoCoPages (Collection ‘Horizons anglophones’, University Press of the Mediterranean, Montpellier). Borders and Ecotones in the Indian Ocean is the most recent volume (2020), http://www.pulm.fr/index.php/collections/horizons-anglophones/pocopages.html.She was Co-Investigator on the AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014–2016). She is also Co-Investigator on the AHRC Follow-on Funding for Impact and Engagement on ‘On Stage and on Page: Celebrating Dalit and Adivasi Literatures and Performing Arts’ (2020–21) https://dalitliterature.wordpress.com.She has co-edited Dalit Literatures in India, with Joshil K. Abraham (Routledge 2016; 2nd edition 2018), and Dalit Text: Aesthetics and Politics Reimagined, with K. Satyanarayana and Nicole Thiara (Routledge 2019). Her monograph Entre Atlantique et océan indien - les voix de la Caraïbe anglophone is forthcoming with Classiques Garnier (Paris, 2021).

• Introduction: Kala Pani Crossings: India in Conversation PART I: Shifting the Gaze 1. Theorizing the Troubled Black Waters 2. Moving Beyond the Memory Question: Narratives of South Asian Indenture, Global Memory Capitalism and Its Discontents 3. Connected Literatures and Histories across Kala pani: Perspectives from India 4. Escaped or Tricked? Why Indian Women Crossed 5. The ‘Terror’ of Kala pani: A Colonial Myth? PART II: Across the Oceans 6. Caste Travelling across the Kala Pani: the Case of the Unborn V. S. Naipaul 7. The Cult of Draupadi and its Propagation through Indentured Labour in Reunion Island 8. ‘I Will Survive on A Seer of Saag the Full Year’: Uncovering Women’s Work, Belonging and ‘Kala Pani’ in ‘Bidesia’ Songs 9. A Passage to Mauritius: The Ebb and Flow of Kala Pani in Hindustani Cinema PART III: Re-imagining the Kala Pani Narrative 10. Coolie Life-Writing and its Shifting Locations - Narrativizing Kala Pani within the Nation and in the Diaspora 11. Pioneers across Kala Pani: Reading Girmitiyas in Ramabai Espinet's The Swinging Bridge, Gaiutra Bahadur's Coolie Woman and Totaram Sanadya's Twenty-One Years in the Fiji Islands 12. Exilic Trajectories of Crossing the Kala Pani: Locating Female Subjectivity in the Writings of Ramabai Espinet and Gaiutra Bahadur 13. Retrieving the History of Coolie Women: Historiography, Research and the Role of Agencies in Ramabai Espinet’s The Swinging Bridge and Peggy Mohan’s Jahajin 14. The Politics of Representation and the Interface of Sycorax and the Snake Woman: A Study of Olive Senior’s Arrival of the Snake-Woman

“How exciting and unusual to come across a multi-disciplinary approach to the understanding of Indentureship, and the Kala Pani crossings in particular, giving space to historical and literary analyses as well as to musicology and the study of Cinema. What is especially superb is the involvement of Indian scholars from India, given that Indentureship and its legacies are hardly remembered in academia there. The highly ambitious and praiseworthy attempt of this book is to give Kala Pani Studies significance, thus enabling a rich relationship with Middle Passage/Atlantic Studies.” — David Dabydeen, Director, Ameena Gafoor Institute; formerly, University of Warwick, 1984–2019); Guyana's Ambassador to China (2010–2015); Guyana's Ambassador to UNESCO (1997–2010)“The Kala pani paradigm has been central to me for the past 30 years. It enabled me to elaborate a matrix of new cultural visions and social relations. It fostered an archipelagic humanism of diversity to emerge in the Global South, enhancing a creative praxis in post-indentureship. In keeping with the Kala pani episteme, this collection deftly explores the dark waters aesthetics. In the wake of a growing interest for indenture in academia, it constitutes a remarkable chapter of present-day transdisciplinary scholarship, making representations, memories and histories of the ‘coolie’ trade more fluid.”— Khal Torabully, poet, film-maker and author of the ‘Coolitude: An Anthology of the Indian Labour Diaspora’"This volume is an essential read for anyone interested in the Indian diasporas formed in the wake of the indentured labour system. It is a pioneering analysis, crucial to the mapping of the recently formed 'Kala Pani studies'. The importance of those 'Kala Pani Crossings', though much-ignored in India, is weighed and explored, highlighting the centrality of the moment for the writing of a new national narrative for India."— Françoise Le Jeune, British Imperial history, Nantes University; co-convenor of DIASCOM“The essays in this collection provide a rich and nuanced account and analysis – from literature to cinema and from narratives to songs – of the histories of crossing the Kala Pani. ‘Kalapani crossing' certainly enhances India's understanding of the nineteenth-century Indian labour migration overseas under the indenture system.”— Ashutosh Kumar, author of the ‘Coolies of the Empire’

Ashutosh Bhardwaj is an independent writer, journalist, and literary critic. He has worked with the leading daily The Indian Express and has been a Fellow at the Indian Institute of Advanced Study, Shimla (2017–2019). Besides, he has received several awards and fellowships for his work as a journalist and critic. He has three books to his credit: a short story collection (Jo Frame Men Na The, 2010), a book of essays on literature (Pitra-Vadh, 2019), and a novelistic account of the Maoist insurgency in Bastar (The Death Script, 2020), which was shortlisted for Tata Lit Fest and awarded the Non-Fiction Book of the Year 2020 at Bangalore Lit Fest. He has also published numerous articles and reviews and has presented academic papers in several national and international seminars. Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and Postcolonial literatures. A member of EMMA, she has published numerous articles and book chapters. Her areas of specialisation are Anglophone Caribbean, Indo- and Sino-Caribbean literatures, diaspora, and migrant writing.She is General editor of the series PoCoPages (Collection ‘Horizons anglophones’, University Press of the Mediterranean, Montpellier). Borders and Ecotones in the Indian Ocean is the most recent volume (2020), http://www.pulm.fr/index.php/collections/horizons-anglophones/pocopages.html.She was Co-Investigator on the AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014–2016). She is also Co-Investigator on the AHRC Follow-on Funding for Impact and Engagement on ‘On Stage and on Page: Celebrating Dalit and Adivasi Literatures and Performing Arts’ (2020–21) https://dalitliterature.wordpress.com.She has co-edited Dalit Literatures in India, with Joshil K. Abraham (Routledge 2016; 2nd edition 2018), and Dalit Text: Aesthetics and Politics Reimagined, with K. Satyanarayana and Nicole Thiara (Routledge 2019). Her monograph Entre Atlantique et océan indien - les voix de la Caraïbe anglophone is forthcoming with Classiques Garnier (Paris, 2021).

• Introduction: Kala Pani Crossings: India in Conversation PART I: Shifting the Gaze 1. Theorizing the Troubled Black Waters 2. Moving Beyond the Memory Question: Narratives of South Asian Indenture, Global Memory Capitalism and Its Discontents 3. Connected Literatures and Histories across Kala pani: Perspectives from India 4. Escaped or Tricked? Why Indian Women Crossed 5. The ‘Terror’ of Kala pani: A Colonial Myth? PART II: Across the Oceans 6. Caste Travelling across the Kala Pani: the Case of the Unborn V. S. Naipaul 7. The Cult of Draupadi and its Propagation through Indentured Labour in Reunion Island 8. ‘I Will Survive on A Seer of Saag the Full Year’: Uncovering Women’s Work, Belonging and ‘Kala Pani’ in ‘Bidesia’ Songs 9. A Passage to Mauritius: The Ebb and Flow of Kala Pani in Hindustani Cinema PART III: Re-imagining the Kala Pani Narrative 10. Coolie Life-Writing and its Shifting Locations - Narrativizing Kala Pani within the Nation and in the Diaspora 11. Pioneers across Kala Pani: Reading Girmitiyas in Ramabai Espinet's The Swinging Bridge, Gaiutra Bahadur's Coolie Woman and Totaram Sanadya's Twenty-One Years in the Fiji Islands 12. Exilic Trajectories of Crossing the Kala Pani: Locating Female Subjectivity in the Writings of Ramabai Espinet and Gaiutra Bahadur 13. Retrieving the History of Coolie Women: Historiography, Research and the Role of Agencies in Ramabai Espinet’s The Swinging Bridge and Peggy Mohan’s Jahajin 14. The Politics of Representation and the Interface of Sycorax and the Snake Woman: A Study of Olive Senior’s Arrival of the Snake-Woman

“How exciting and unusual to come across a multi-disciplinary approach to the understanding of Indentureship, and the Kala Pani crossings in particular, giving space to historical and literary analyses as well as to musicology and the study of Cinema. What is especially superb is the involvement of Indian scholars from India, given that Indentureship and its legacies are hardly remembered in academia there. The highly ambitious and praiseworthy attempt of this book is to give Kala Pani Studies significance, thus enabling a rich relationship with Middle Passage/Atlantic Studies.” — David Dabydeen, Director, Ameena Gafoor Institute; formerly, University of Warwick, 1984–2019); Guyana's Ambassador to China (2010–2015); Guyana's Ambassador to UNESCO (1997–2010)“The Kala pani paradigm has been central to me for the past 30 years. It enabled me to elaborate a matrix of new cultural visions and social relations. It fostered an archipelagic humanism of diversity to emerge in the Global South, enhancing a creative praxis in post-indentureship. In keeping with the Kala pani episteme, this collection deftly explores the dark waters aesthetics. In the wake of a growing interest for indenture in academia, it constitutes a remarkable chapter of present-day transdisciplinary scholarship, making representations, memories and histories of the ‘coolie’ trade more fluid.”— Khal Torabully, poet, film-maker and author of the ‘Coolitude: An Anthology of the Indian Labour Diaspora’"This volume is an essential read for anyone interested in the Indian diasporas formed in the wake of the indentured labour system. It is a pioneering analysis, crucial to the mapping of the recently formed 'Kala Pani studies'. The importance of those 'Kala Pani Crossings', though much-ignored in India, is weighed and explored, highlighting the centrality of the moment for the writing of a new national narrative for India."— Françoise Le Jeune, British Imperial history, Nantes University; co-convenor of DIASCOM“The essays in this collection provide a rich and nuanced account and analysis – from literature to cinema and from narratives to songs – of the histories of crossing the Kala Pani. ‘Kalapani crossing' certainly enhances India's understanding of the nineteenth-century Indian labour migration overseas under the indenture system.”— Ashutosh Kumar, author of the ‘Coolies of the Empire’

Ashutosh Bhardwaj is an independent writer, journalist, and literary critic. He has worked with the leading daily The Indian Express and has been a Fellow at the Indian Institute of Advanced Study, Shimla (2017–2019). Besides, he has received several awards and fellowships for his work as a journalist and critic. He has three books to his credit: a short story collection (Jo Frame Men Na The, 2010), a book of essays on literature (Pitra-Vadh, 2019), and a novelistic account of the Maoist insurgency in Bastar (The Death Script, 2020), which was shortlisted for Tata Lit Fest and awarded the Non-Fiction Book of the Year 2020 at Bangalore Lit Fest. He has also published numerous articles and reviews and has presented academic papers in several national and international seminars. Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and Postcolonial literatures. A member of EMMA, she has published numerous articles and book chapters. Her areas of specialisation are Anglophone Caribbean, Indo- and Sino-Caribbean literatures, diaspora, and migrant writing.She is General editor of the series PoCoPages (Collection ‘Horizons anglophones’, University Press of the Mediterranean, Montpellier). Borders and Ecotones in the Indian Ocean is the most recent volume (2020), http://www.pulm.fr/index.php/collections/horizons-anglophones/pocopages.html.She was Co-Investigator on the AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014–2016). She is also Co-Investigator on the AHRC Follow-on Funding for Impact and Engagement on ‘On Stage and on Page: Celebrating Dalit and Adivasi Literatures and Performing Arts’ (2020–21) https://dalitliterature.wordpress.com.She has co-edited Dalit Literatures in India, with Joshil K. Abraham (Routledge 2016; 2nd edition 2018), and Dalit Text: Aesthetics and Politics Reimagined, with K. Satyanarayana and Nicole Thiara (Routledge 2019). Her monograph Entre Atlantique et océan indien - les voix de la Caraïbe anglophone is forthcoming with Classiques Garnier (Paris, 2021).

• Introduction: Kala Pani Crossings: India in Conversation PART I: Shifting the Gaze 1. Theorizing the Troubled Black Waters 2. Moving Beyond the Memory Question: Narratives of South Asian Indenture, Global Memory Capitalism and Its Discontents 3. Connected Literatures and Histories across Kala pani: Perspectives from India 4. Escaped or Tricked? Why Indian Women Crossed 5. The ‘Terror’ of Kala pani: A Colonial Myth? PART II: Across the Oceans 6. Caste Travelling across the Kala Pani: the Case of the Unborn V. S. Naipaul 7. The Cult of Draupadi and its Propagation through Indentured Labour in Reunion Island 8. ‘I Will Survive on A Seer of Saag the Full Year’: Uncovering Women’s Work, Belonging and ‘Kala Pani’ in ‘Bidesia’ Songs 9. A Passage to Mauritius: The Ebb and Flow of Kala Pani in Hindustani Cinema PART III: Re-imagining the Kala Pani Narrative 10. Coolie Life-Writing and its Shifting Locations - Narrativizing Kala Pani within the Nation and in the Diaspora 11. Pioneers across Kala Pani: Reading Girmitiyas in Ramabai Espinet's The Swinging Bridge, Gaiutra Bahadur's Coolie Woman and Totaram Sanadya's Twenty-One Years in the Fiji Islands 12. Exilic Trajectories of Crossing the Kala Pani: Locating Female Subjectivity in the Writings of Ramabai Espinet and Gaiutra Bahadur 13. Retrieving the History of Coolie Women: Historiography, Research and the Role of Agencies in Ramabai Espinet’s The Swinging Bridge and Peggy Mohan’s Jahajin 14. The Politics of Representation and the Interface of Sycorax and the Snake Woman: A Study of Olive Senior’s Arrival of the Snake-Woman

“How exciting and unusual to come across a multi-disciplinary approach to the understanding of Indentureship, and the Kala Pani crossings in particular, giving space to historical and literary analyses as well as to musicology and the study of Cinema. What is especially superb is the involvement of Indian scholars from India, given that Indentureship and its legacies are hardly remembered in academia there. The highly ambitious and praiseworthy attempt of this book is to give Kala Pani Studies significance, thus enabling a rich relationship with Middle Passage/Atlantic Studies.” — David Dabydeen, Director, Ameena Gafoor Institute; formerly, University of Warwick, 1984–2019); Guyana's Ambassador to China (2010–2015); Guyana's Ambassador to UNESCO (1997–2010)“The Kala pani paradigm has been central to me for the past 30 years. It enabled me to elaborate a matrix of new cultural visions and social relations. It fostered an archipelagic humanism of diversity to emerge in the Global South, enhancing a creative praxis in post-indentureship. In keeping with the Kala pani episteme, this collection deftly explores the dark waters aesthetics. In the wake of a growing interest for indenture in academia, it constitutes a remarkable chapter of present-day transdisciplinary scholarship, making representations, memories and histories of the ‘coolie’ trade more fluid.”— Khal Torabully, poet, film-maker and author of the ‘Coolitude: An Anthology of the Indian Labour Diaspora’"This volume is an essential read for anyone interested in the Indian diasporas formed in the wake of the indentured labour system. It is a pioneering analysis, crucial to the mapping of the recently formed 'Kala Pani studies'. The importance of those 'Kala Pani Crossings', though much-ignored in India, is weighed and explored, highlighting the centrality of the moment for the writing of a new national narrative for India."— Françoise Le Jeune, British Imperial history, Nantes University; co-convenor of DIASCOM“The essays in this collection provide a rich and nuanced account and analysis – from literature to cinema and from narratives to songs – of the histories of crossing the Kala Pani. ‘Kalapani crossing' certainly enhances India's understanding of the nineteenth-century Indian labour migration overseas under the indenture system.”— Ashutosh Kumar, author of the ‘Coolies of the Empire’