Anne Grace is Curator of Modern Art at the Montreal Museum of Fine Arts. Her past curatorial exhibition projects at the MMFA include Peintures barbares : hommage à Jean McEwen, Alexander Calder: Radical Inventor, In Memorium: Antoni Tàpies, Multiplicity: Post-War American Prints and Drawings from the Collection, and Van Dongen: Painting the Town Fauve. She has also been the curator responsible for the presentations at the MMFA of Lyonel Feininger: From Manhattan to the Bauhaus, Rouge Cabaret: The Terrifying and Beautiful World of Otto Dix, and From Van Gogh to Kandinsky: Expressionism in Germany and France, 1900-1914. Previous to her position at the MMFA, she worked at the National Gallery of Canada. Georgiana Uhlyarik is Fredrik S. Eaton Curator, Canadian Art, and co-lead of the Indigenous + Canadian Art Department at the Art Gallery of Ontario. She works collaboratively with artists and curators from across the Americas and Europe and teaches art at York University and the University of Toronto. Her publications include Moving the Museum: Indigenous + Canadian Art at the AGO, Magnetic North: Imagining Canada in Painting 1910–40, Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak, Rita Letendre: Fire & Light, Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic, and Florine Stettheimer: Painting Poetry.

“These works have a spontaneous virtuosity that intensifies and widens the viewer’s scope of seeing. They belong to a higher echelon of art than merely playful or saliently feministic or nationalistic creations.”

Anne Grace is Curator of Modern Art at the Montreal Museum of Fine Arts. Her past curatorial exhibition projects at the MMFA include Peintures barbares : hommage à Jean McEwen, Alexander Calder: Radical Inventor, In Memorium: Antoni Tàpies, Multiplicity: Post-War American Prints and Drawings from the Collection, and Van Dongen: Painting the Town Fauve. She has also been the curator responsible for the presentations at the MMFA of Lyonel Feininger: From Manhattan to the Bauhaus, Rouge Cabaret: The Terrifying and Beautiful World of Otto Dix, and From Van Gogh to Kandinsky: Expressionism in Germany and France, 1900-1914. Previous to her position at the MMFA, she worked at the National Gallery of Canada. Georgiana Uhlyarik is Fredrik S. Eaton Curator, Canadian Art, and co-lead of the Indigenous + Canadian Art Department at the Art Gallery of Ontario. She works collaboratively with artists and curators from across the Americas and Europe and teaches art at York University and the University of Toronto. Her publications include Moving the Museum: Indigenous + Canadian Art at the AGO, Magnetic North: Imagining Canada in Painting 1910–40, Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak, Rita Letendre: Fire & Light, Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic, and Florine Stettheimer: Painting Poetry.

“These works have a spontaneous virtuosity that intensifies and widens the viewer’s scope of seeing. They belong to a higher echelon of art than merely playful or saliently feministic or nationalistic creations.”

Anne Grace is Curator of Modern Art at the Montreal Museum of Fine Arts. Her past curatorial exhibition projects at the MMFA include Peintures barbares : hommage à Jean McEwen, Alexander Calder: Radical Inventor, In Memorium: Antoni Tàpies, Multiplicity: Post-War American Prints and Drawings from the Collection, and Van Dongen: Painting the Town Fauve. She has also been the curator responsible for the presentations at the MMFA of Lyonel Feininger: From Manhattan to the Bauhaus, Rouge Cabaret: The Terrifying and Beautiful World of Otto Dix, and From Van Gogh to Kandinsky: Expressionism in Germany and France, 1900-1914. Previous to her position at the MMFA, she worked at the National Gallery of Canada. Georgiana Uhlyarik is Fredrik S. Eaton Curator, Canadian Art, and co-lead of the Indigenous + Canadian Art Department at the Art Gallery of Ontario. She works collaboratively with artists and curators from across the Americas and Europe and teaches art at York University and the University of Toronto. Her publications include Moving the Museum: Indigenous + Canadian Art at the AGO, Magnetic North: Imagining Canada in Painting 1910–40, Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak, Rita Letendre: Fire & Light, Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic, and Florine Stettheimer: Painting Poetry.

“These works have a spontaneous virtuosity that intensifies and widens the viewer’s scope of seeing. They belong to a higher echelon of art than merely playful or saliently feministic or nationalistic creations.”