Journeys Exposed

Giorgia Alù teaches in the School of Languages and Cultures at the University of Sydney.

• List of FiguresAcknowledgmentsIntroduction: Narrating, Exposing, MovingPART IPerformances: Escapes and Resistance1 Fleeting Photographs and Vanishing Rebels in Melania Mazzucco’s Fiction2 Stranger at Home: Ornela Vorpsi’s Visual Writing of Endurance PART IIIntersections: Itinerancies with a Camera3 Hidden Lights: Monika Bulaj’s Empathic Photo-Reportages of Afghanistan 4 Carla Cerati’s Photo-Textual Social and Personal Journeys PART IIITapestries: Transits through Origins5 Re-writing: Narrations of Family Displacement 6 Re-Imaging: Threads, Laces and Stitches Conclusion: Multiple Exposures

"How does the intersection of writing and photography make women’s lives visible and create new ways of seeing for women? Dwelling in the space that at once joins and separates word and image, Giorgia Alù offers a compelling and original exploration of little-known women writers and photographers who entertain diverse relationships with Italy as native insiders, naturalized outsiders and émigrés. At once illuminating in its formal analysis and passionate in the exploration of complex life stories, the book’s reflection on female identity as a fluid act of journeying across social, cultural and national boundaries breaks new ground in interdisciplinary and visual studies." - Giuliana Minghelli, Associate Professor, McGill University"Journeys Exposed: Women’s Writing, Photography and Mobility is a fascinating study of several contemporary women writers, all related to Italy in different ways, whose work combines writing with photography in extraordinarily inventive ways to narrate the female, mobile self. Alù ranges boldly across a wide variety of genres and media – diverse forms of photography and writing, but also tapestries, lace, scars on skin, and film – to discuss the diverse ways in which these women create, narrate and re-present their selves as they travel through space and time. The selection of authors is highly original, covering a richly varied selection of relationships to Italy as well as combinations of representational approach: the Italian novelist Melania Mazzucco, the Italophone Albanian writer and photographer Ornela Vorpsi, and the originally Polish anthropologist, documentary maker and photographer Monika Bulaj, who writes in Italian, are just three of the creators to whom Alù introduces her readership. Indeed this book is, amongst other things, a wonderful introduction to contemporary works at the cutting edge of photobiography, as readable as it is well-informed. Alù skilfully threads her argument