Elijah Wald wrote on music for the Boston Globe for 15 years. He is the author of Narcocorrido: A Journey intothe Music of Drugs, Guns, and Guerrillas. Harper Collins/RAYO, 2001, and coauthor of Mississippi: River ofSong, which accompanied a PBS series for which he served as a consultant. He maintains a website on his writing and performing, www.elijahwald.com.

• 1: Southern Exposure 1914–1921; 2: Homeless and Hungry Blues 1921–1930; 3: Things about Coming my Way 1930–1936; 4: John Henry 1936–1939; 5: Raise A Ruckus (1940); 6: Marching Down Freedom's Road (1941); 7: Partnerships: Leadbelly and Libby Holman 1941–1943; 8: Cafe Society 1943–1945; 9: The House I Live in; 10: Apples, Peaches, and cherries 1946–1947; 11: Travels, Whiskey, and Women; 12: Broadway Hollywood, and Beyond 1947–1950; 13: Un-American Activities 1950; 14: Strange Fruit; 15: Across the Atlantic 1951; 16: You Know Baby 1952–1953; 17: Josh at Midnight 1954–1958; 18: Folk Revival; 19: House of the Rising Sun 1958–1963; 20: Goin' Down Slow 1963–1969; Epilogue

"Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide the promotion of authenticity. Wald achieves this goal by sticking to the details of White's career, not generalizing about its implications, yet the point comes across with clarity and conviction." -- David Sanjek, American Studies"[An] affectionate, careful biography." -- The Washington Post

Elijah Wald wrote on music for the Boston Globe for 15 years. He is the author of Narcocorrido: A Journey intothe Music of Drugs, Guns, and Guerrillas. Harper Collins/RAYO, 2001, and coauthor of Mississippi: River ofSong, which accompanied a PBS series for which he served as a consultant. He maintains a website on his writing and performing, www.elijahwald.com.

• 1: Southern Exposure 1914–1921; 2: Homeless and Hungry Blues 1921–1930; 3: Things about Coming my Way 1930–1936; 4: John Henry 1936–1939; 5: Raise A Ruckus (1940); 6: Marching Down Freedom's Road (1941); 7: Partnerships: Leadbelly and Libby Holman 1941–1943; 8: Cafe Society 1943–1945; 9: The House I Live in; 10: Apples, Peaches, and cherries 1946–1947; 11: Travels, Whiskey, and Women; 12: Broadway Hollywood, and Beyond 1947–1950; 13: Un-American Activities 1950; 14: Strange Fruit; 15: Across the Atlantic 1951; 16: You Know Baby 1952–1953; 17: Josh at Midnight 1954–1958; 18: Folk Revival; 19: House of the Rising Sun 1958–1963; 20: Goin' Down Slow 1963–1969; Epilogue

"Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide the promotion of authenticity. Wald achieves this goal by sticking to the details of White's career, not generalizing about its implications, yet the point comes across with clarity and conviction." -- David Sanjek, American Studies"[An] affectionate, careful biography." -- The Washington Post

Elijah Wald wrote on music for the Boston Globe for 15 years. He is the author of Narcocorrido: A Journey intothe Music of Drugs, Guns, and Guerrillas. Harper Collins/RAYO, 2001, and coauthor of Mississippi: River ofSong, which accompanied a PBS series for which he served as a consultant. He maintains a website on his writing and performing, www.elijahwald.com.

• 1: Southern Exposure 1914–1921; 2: Homeless and Hungry Blues 1921–1930; 3: Things about Coming my Way 1930–1936; 4: John Henry 1936–1939; 5: Raise A Ruckus (1940); 6: Marching Down Freedom's Road (1941); 7: Partnerships: Leadbelly and Libby Holman 1941–1943; 8: Cafe Society 1943–1945; 9: The House I Live in; 10: Apples, Peaches, and cherries 1946–1947; 11: Travels, Whiskey, and Women; 12: Broadway Hollywood, and Beyond 1947–1950; 13: Un-American Activities 1950; 14: Strange Fruit; 15: Across the Atlantic 1951; 16: You Know Baby 1952–1953; 17: Josh at Midnight 1954–1958; 18: Folk Revival; 19: House of the Rising Sun 1958–1963; 20: Goin' Down Slow 1963–1969; Epilogue

"Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide the promotion of authenticity. Wald achieves this goal by sticking to the details of White's career, not generalizing about its implications, yet the point comes across with clarity and conviction." -- David Sanjek, American Studies"[An] affectionate, careful biography." -- The Washington Post