• I. Exposition (1929-1956) II. Rising Action (1956-1964) Look Back in Anger 1956 The Entertainer 1957 Luther 1961 III. Climax (1964-1968) Inadmissible Evidence 1964 A Patriot for Me 1965 IV. Falling Action (1968-1982) West of Suez 1971 A Sense of Detachment 1972 Watch It Come Down 1975 V. Resolution (1982-1994) Dejavu 1989 VI. Curtain Call

"Gilleman writes not to bury or to praise Osborne, but to undersatnd the patterns of meaning that animate the plays. She succeeds admirably." Choice."

• I. Exposition (1929-1956) II. Rising Action (1956-1964) Look Back in Anger 1956 The Entertainer 1957 Luther 1961 III. Climax (1964-1968) Inadmissible Evidence 1964 A Patriot for Me 1965 IV. Falling Action (1968-1982) West of Suez 1971 A Sense of Detachment 1972 Watch It Come Down 1975 V. Resolution (1982-1994) Dejavu 1989 VI. Curtain Call

"Gilleman writes not to bury or to praise Osborne, but to undersatnd the patterns of meaning that animate the plays. She succeeds admirably." Choice."

• I. Exposition (1929-1956) II. Rising Action (1956-1964) Look Back in Anger 1956 The Entertainer 1957 Luther 1961 III. Climax (1964-1968) Inadmissible Evidence 1964 A Patriot for Me 1965 IV. Falling Action (1968-1982) West of Suez 1971 A Sense of Detachment 1972 Watch It Come Down 1975 V. Resolution (1982-1994) Dejavu 1989 VI. Curtain Call

"Gilleman writes not to bury or to praise Osborne, but to undersatnd the patterns of meaning that animate the plays. She succeeds admirably." Choice."