Gaylyn Studlar is Director and Professor of Film Studies and English at the University of Michigan, Ann Arbor. She has published widely on issues of gender in Hollywood cinema.Matthew Bernstein is the author of Walter Wanger, Hollywood Independent, editor of Controlling Hollywood: Censorship and Regulation in the Studio Era, and co-editor (with Gaylyn Studlar) of Visions of the East: Orientalism in Film. He is Associate Professor of Film Studies at Emory University.

• IntroductionGaylyn Studlar & Matthew BernsteinPart I1. "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood2. "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western" Gaylyn Studlar3. "The Margin as Center: The Multicultural Dynamics of John Ford's Westerns" Charles Ramirez Berg4. "Linear Patterns and Ethnic Encounters in the Ford Western" Joan Dagle5. "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns" Peter Lehman6. "Painting the Legend: Frederic Remington and the Western" Edward Buscombe7. "'The Sound of Many Voices': Music in John Ford's Westerns" Kathryn Kalinak8. "John Ford and James Fenimore Cooper: Two Rode Together" Barry Keith Grant9. "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation" Charles J. MalandPart II??DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne??My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.?Dec. 1973)FilmographySelected BibliographyContributorsIndex

Gaylyn Studlar is Director and Professor of Film Studies and English at the University of Michigan, Ann Arbor. She has published widely on issues of gender in Hollywood cinema.Matthew Bernstein is the author of Walter Wanger, Hollywood Independent, editor of Controlling Hollywood: Censorship and Regulation in the Studio Era, and co-editor (with Gaylyn Studlar) of Visions of the East: Orientalism in Film. He is Associate Professor of Film Studies at Emory University.

• IntroductionGaylyn Studlar & Matthew BernsteinPart I1. "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood2. "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western" Gaylyn Studlar3. "The Margin as Center: The Multicultural Dynamics of John Ford's Westerns" Charles Ramirez Berg4. "Linear Patterns and Ethnic Encounters in the Ford Western" Joan Dagle5. "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns" Peter Lehman6. "Painting the Legend: Frederic Remington and the Western" Edward Buscombe7. "'The Sound of Many Voices': Music in John Ford's Westerns" Kathryn Kalinak8. "John Ford and James Fenimore Cooper: Two Rode Together" Barry Keith Grant9. "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation" Charles J. MalandPart II??DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne??My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.?Dec. 1973)FilmographySelected BibliographyContributorsIndex

Gaylyn Studlar is Director and Professor of Film Studies and English at the University of Michigan, Ann Arbor. She has published widely on issues of gender in Hollywood cinema.Matthew Bernstein is the author of Walter Wanger, Hollywood Independent, editor of Controlling Hollywood: Censorship and Regulation in the Studio Era, and co-editor (with Gaylyn Studlar) of Visions of the East: Orientalism in Film. He is Associate Professor of Film Studies at Emory University.

• IntroductionGaylyn Studlar & Matthew BernsteinPart I1. "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood2. "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western" Gaylyn Studlar3. "The Margin as Center: The Multicultural Dynamics of John Ford's Westerns" Charles Ramirez Berg4. "Linear Patterns and Ethnic Encounters in the Ford Western" Joan Dagle5. "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns" Peter Lehman6. "Painting the Legend: Frederic Remington and the Western" Edward Buscombe7. "'The Sound of Many Voices': Music in John Ford's Westerns" Kathryn Kalinak8. "John Ford and James Fenimore Cooper: Two Rode Together" Barry Keith Grant9. "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation" Charles J. MalandPart II??DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne??My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.?Dec. 1973)FilmographySelected BibliographyContributorsIndex