Eddie S. Meadows is professor of jazz music at San Diego State University.

• Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G. Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S. Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y. Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5. Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis, Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G. Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz and Euro-American Art Music L Sociology M. Women and Jazz N. Regional Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3. Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments 6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing 12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar 4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists 9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research Libraries XVI. Index

Eddie S. Meadows is professor of jazz music at San Diego State University.

• Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G. Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S. Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y. Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5. Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis, Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G. Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz and Euro-American Art Music L Sociology M. Women and Jazz N. Regional Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3. Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments 6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing 12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar 4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists 9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research Libraries XVI. Index

Eddie S. Meadows is professor of jazz music at San Diego State University.

• Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G. Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S. Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y. Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5. Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis, Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G. Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz and Euro-American Art Music L Sociology M. Women and Jazz N. Regional Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3. Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments 6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing 12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar 4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists 9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research Libraries XVI. Index