George Parsons studied Music at the University of Oxford, where he was Organ Scholar at The Queen's College. He is a Fellow of the Royal College of Organists, an independent researcher and is currently training for Christian ministry at the London Seminary. Robert Sholl is a Professor of Music at the University of West London and teaches at the Royal Academy of Music. He is a performer and writer on music, specialising in twentieth-century music and publishing extensively in this area. He is editor of Contemporary Music and Spirituality (with Sander van Maas, 2016).

• Foreword Sir James MacMillan; Introduction George Parsons and Robert Sholl; 1. The struggle with conviction: a trio of string quartets Arnold Whittall; 2. Conflicting modernities and a modernity of conflict in James MacMillan's The World's Ransoming George Parsons; 3. In Memoriam: James MacMillan's violin concerto as modernist lament Chelle Stearns; 4. Reincarnating 'The Tryst': the endurance of a simple love song Dominic Wells; 5. Exquisite violence: imagery, embodiment and transformation in MacMillan Robert Sholl; 6. Making the familiar as unfamiliar: MacMillan's St Luke Passion Jeremy S. Begbie; 7. MacMillan's 'mission' and the Passion settings Richard E. McGregor; 8. A cluster of gathering shadows: exposition and exegesis in Seven Last Words from the Cross Andrew Shenton; 9. James MacMillan's The Sun Danced: Mary, miracle, and mysticism Peter Bannister; 10. 'Shrouded in doubts and fears': the liturgical music of James MacMillan Phillip Cooke; 11. Containing chaos? Aspects of medieval liturgy in James MacMillan's Visitatio Sepulchri Lisa Colton.

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