Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex

“The Easter Rising, far from being consigned to nostalgia, is seen as a catalyst for global processes of decolonization . . . [Gibbons’s] tracing of connections and influences—real, virtual, and suggestive—between revolution in the street and in the word results in richly layered and sometimes erudite chapters that repay close reading  . . [and] open up many fascinating paths.”

Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex

“The Easter Rising, far from being consigned to nostalgia, is seen as a catalyst for global processes of decolonization . . . [Gibbons’s] tracing of connections and influences—real, virtual, and suggestive—between revolution in the street and in the word results in richly layered and sometimes erudite chapters that repay close reading  . . [and] open up many fascinating paths.”

Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex

“The Easter Rising, far from being consigned to nostalgia, is seen as a catalyst for global processes of decolonization . . . [Gibbons’s] tracing of connections and influences—real, virtual, and suggestive—between revolution in the street and in the word results in richly layered and sometimes erudite chapters that repay close reading  . . [and] open up many fascinating paths.”