James Joyce and the Arts

Emma-Louise Silva, Ph.D. (2019), University of Antwerp, combines her role as a lecturer at that university with a postdoctoral position for the Time Machine Project. She has published in JJLS, JJQ, and she co-edited this volume for EJS.Sam Slote, Ph.D. (1997), is an Associate Professor at Trinity College Dublin. He is the author of Joyce’s Nietzschean Ethics (2013). His volume Annotations to James Joyce’s ‘Ulysses’ will be published in 2020.Dirk Van Hulle is Professor of Bibliography and Modern Book History at the University of Oxford, director of the Centre for Manuscript Genetics at the University of Antwerp and co-director of the Beckett Digital Manuscript Project (www.beckettarchive.org).

• AbbreviationsList of IllustrationsNotes on ContributorsIntroduction: Endlessly Inartistic PortraitsSam SlotePart 1: Joycean “Re-tailorings”1Sartor ResartusReanimatus: The “Reversionary” Art of James Joyce, the Re-tailorTiana M. FischerPart 2: Visual Art2 Portraits of the ArtistDavid Spurr3 “His errors are volitional and are the portals of discovery”: Towards an Indirect Social Efficacy of Joyce’s Attitude to Mistakes – Through (Beuys’) Art Responding to Joyce Christa-Maria Lerm HayesPart 3: Music4 The Dysgenic Music of James Joyce: Joyce as Disablist Modernist Composer inFinnegans WakeJohn Morey5 Sound Art? Trying to Make “soundsense” of the “sensesound” in Finnegans WakeThomas Gurke6 The Art of Reading a Musical Novel: Literary Audiation and the Case of James JoyceKatherine O’Callaghan7 Static Crooning Consciousness Expansion: Musical Undergrounds Respond to James JoyceDerek PylePart 4: TV and Film8 On the Stream of Consciousness and “Camera-Eye” in the Works of James Joyce and Thomas Wolfe Adam James Cuthbert9 James Joyce and François Truffaut: Stylistic Correspondences Between Literature and Cinema Sara Spanghero10 Nostalgia and the Kiss of Ulysses in Twin PeaksDamon FrankePart 5: Hybridity of Visual and Textual Images11 “Our eyes demand their turn”: The Materiality of the Joycean Image & Illustrations of Finnegans WakeYaeli Greenblatt12 The Logic of the Doodles in Finnegans WakeII.2Sangam MacDuff13 Columban Texts and Joyce’s “book of kills” (FW 482.33): The Limits of a Palaeographer’s View in Finnegans Wake Anne Marie D’ArcyPart 6: Joyce “Receptionated” (FW 370.18)14 “Patrick What-Do-You-Colm”: Reading Joyce with Padraic ColumJohn McCourtIndex

“Joyce and the Arts makes a positive contribution to describing, theorising and generally appreciating the multifarious ways that Joyce’s art engages with and is engaged by creative fields, addressing the important whys and hows of Joycean influence on the arts.”-Clinton Cahill Manchester Metropolitan University UK, in James Joyce Broadsheet Vol. 119 2021 p. 2