Paula Findlen is Ubaldo Pierotti Professor in Italian History at Stanford University. Wendy Wassyng Roworth is Professor of Art History and Women's Studies at the University of Rhode Island. Catherine M. Sama is Associate Professor of Italian and Film Media at the University of Rhode Island.

• Contents @toc4:List of Illustrationsxxx Acknowledgmentsxxx @toc2:Introduction: Gender and Culture in Eighteenth- Century Italy1 @tocca:Paula Findlen @toc1:PART ONEGENDER AND PUBLIC LIFE @toc2:1. Cicisbei: Italian Morality and European Values in the Eighteenth Century000 @tocca:Roberto Bizzocchi @toc2:2. The Temple of Female Glory: Female Self- Affirmation in the Roman Salon of the Grand Tour000 @tocca:Maria Pia Donato @toc2:3. Giustina Renier Michiel and Conflicting Ideas of Gender in Late Eighteeenth-Century Venice000 @tocca:Susan Dalton @toc1:PART TWOWOMEN AND CULTURAL INSTITUTIONS @toc2:4. Revisiting Arcadia: Women and Academies in Eighteenth-Century Italy000 @tocca:Elisabetta Graziosi @toc2:5. "On the Canvas and on the Page": Women Shaping Culture in Eighteenth-Century Venice000 @tocca:Catherine M. Sama @toc2:6. "The Residence of the Arts": Angelica Kauffman's Place in Rome000 @tocca:Wendy Wassyng Roworth @toc1:PART THREEENLIGHTENED SEXUALITIES @toc2:7. Strange Births and Surprising Kin: The Castrato's Tale000 @tocca:Martha Feldman @toc2:8.Sex Without Sex: An Erotic Image of the Castrato Singer000 @tocca:Roger Freitas @toc2:9. The Anatomy of a Lesbian: Medicine, Pornography, and Culture in Eighteenth-Century Italy000 @tocca:Paula Findlen @toc2:10. As Who Dare Gaze the Sun: Anna Morandi Manzolini's Wax Anatomies of the Male Reproductive System and Genitalia000 @tocca:Rebecca Messbarge @toc1:PART FOUR: THE SPECTACLE OF GENDER @toc2:11. Between Modesty and Spectacle: Women and Science in Eighteenth-Century Italy000 @tocca:Marta Cavazza @toc2:12. "Monsters of Talent": Fame and Reputation of Women Improvisers in Arcadia000 @tocca:Paola Giuli @toc2:13. Gender and Genre in the Religious Art of the Catholic Enlightenment000 @tocca:Christopher M. S. Johns @toc4:Notes000 Contributors000 Index000

"[Italy's Eighteenth Century] moves us toward a more richly textured sense of the political, geographic, and cultural diversity that comprised the Italian peninsula in the eighteenth century. Filled with original work and suggestions for new avenues for future research, the book reminds us how much remains to be unearthed about this remarkable period."—Sarah Betzer, CAA Reviews "Women and men as agents of public and private sociability in a 'lost' century of Italian culture constitute the primary theme of Italy's Eighteenth Century: Gender and Culture in the Age of the Grand Tour. Findlen's introductory essay is required reading for enlightenment specialists as it raises and quashes about the Italian eighteenth century, by countering them with exemplary scholarship heretofore unknown outside of Italy."—Clorinda Donato, New Perspectives on the Eighteenth Century "The perspective on and variety of the characters introduced in this volume are quite extraordinary"—Melissa Calaresu, Reviews in History "Dullards and prudes stay home: Italy's 18th Century: Gender and Culture During the Age of the Grand Tour is a seductive gondola-trip through the world of Casanova and Da Ponte, courtesans and castrati, painters, Popes, and learned ladies—the whole louche, lubricious, and luminous fantasia that was settecento Italy. Whether scholar, student, or armchair 'Grand Tourist,' the curious reader will find rich bounty here: both a superb general introduction to Italy in the Age of Enlightenment and a sleek, multifaceted analysis of its role—aesthetic, psychic, and erotic—in the eighteenth-century European imagination."—Terry Castle, Stanford University "This collection of essays presents a vast amount of new research that offers us a picture of the rich and varied culture of eighteenth-century Italy and its relation to Enlightenment Europe. Replete with interconnections, the essays fit together as neatly as a puzzle, and where they overlap, they often provide different perspectives on the same subject."—Carole Paul, University of California, Santa Barbara