Italian Renaissance Art

Laurie Schneider Adams is Professor Emerita at John Jay College, City University of New York. At the Graduate centre she taught courses on Art and Psychoanalysis, Artists' Biographies and Autobiographies, and the Italian Renaissance. She is the editor of the quarterly journal Source: Notes in the History of Art and the author of Art Across Time, A History of Western Art, The Methodologies of Art, as well as numerous other works.

• PART ONE -- PRECURSORS OF THE RENAISSANCE -- CHAPTER ONE -- The Thirteenth Century -- CHAPTER TWO -- Trecento Precursors -- PART TWO -- THE QUATTROCENTO -- CHAPTER THREE -- Architecture and Sculpture in Florence: 1400–1430 -- CHAPTER FOUR -- Painting in Florence: 1400–1430 -- CHAPTER FIVE -- Painting in Florence: 1430–1460 -- CHAPTER SIX -- Painting in Florence, II: 1430–1460 -- CHAPTER SEVEN -- Sculpture and Architecture in Florence: 1430s–1460s -- CHAPTER EIGHT -- Developments in Siena, Rimini, and Pienza: 1400–1460 -- CHAPTER NINE -- Developments in Umbria, the Marches, and Naples: 1400s–1460s -- CHAPTER TEN -- Sculpture and Architecture in Florence after 1450 -- CHAPTER ELEVEN -- Painting in Florence after 1450 -- CHAPTER TWELVE -- Fifteenth-Century Developments in Verona, Ferrara, and Mantua -- CHAPTER THIRTEEN -- Developments in Late Fifteenth- and Early Sixteenth-Century Venice -- PART THREE -- THE CINQUECENTO -- CHAPTER FOURTEEN -- Leonardo and Bramante: Late Fifteenth- and Early Sixteenth-Century Developments in Florence and Milan -- CHAPTER FIFTEEN -- Michelangelo and Raphael: The Late Fifteenth Century to 1505 -- CHAPTER SIXTEEN -- Bramante, Michelangelo, Raphael: Developments in Rome to 1520 -- CHAPTER SEVENTEEN -- Venice in the Sixteenth Century -- CHAPTER EIGHTEEN -- Michelangelo after 1520 and the Transition to Mannerism -- Timeline -- Glossary of Art-Historical and Stylistic Terms -- Select Bibliography -- Notes -- Picture Credits -- Index.

"A clearly written, straightforward account of the story of Italian Renaissance art from its origins to Mannerism. The bulk of the material centers around central Italian painting, as it should, but other important, smaller centers are also included. The discussion of the various art forms is nicely balanced... I especially liked the sidebars which add necessary material--historical, literary, technical and so forth--to the text without encumbering it... This is a very good book which should furnish us with the new and useable text we have been waiting for. I would certainly use it in my classroom." --Bruce Cole, Distinguished Professor, Chairman, department of the history of art, Indiana University "This sensibly selective and well-written introduction to Italian Renaissance art covers the main centers throughout Italy and describes the major artists and their works from different critical and methodological points of view. The large-format illustrations make this text particularly useful." --The late James Beck, Professor of Art History, Columbia University