Gabriella Didericksen graduated from the Hochschule der Künste, Berlin, and subsequently received her Ph.D. from Kings College, London in 1997. She currently holds an AHRB research Fellowship at the University of Southampton, working on aspects of Mozart reception in the nineteenth century, and is also engaged in writing a book on opera at Covent Garden, 1830-1880.Robert D. Hume received his Ph.D. from the University of Pennsylvania in 1969 and taught at Cornell University. He is currently Evan Pugh Professor of English Literature at the Pennsylvania State University.Judith Milhous received her Ph.D. from Cornell University in 1974 and taught at the University of Iowa and the University of Maryland prior to joining the faculty of the Ph.D. Program in Theatre at the City University of New York, Graduate Centre, where she is now Distinguished Professor.

• PART 1: THE PANTHEON AND THE HISTORY OF OPERA IN LONDON, 1789-1795; PART 2: THE PANTHEON ENTERPRISE: ARCHITECTURE, PRODUCTION, REPERTOIRE, AND FINANCES; PART 3: APPENDICES

a fascinating read, constantly throwing up vivid insights into London life of the time, often with a dry wit ... What has given this book the edge over others on the subject is the discovery by the authors of what they term a massive cache of opera manuscripts in the Bedford Estates Office (London) in 1985.

Gabriella Didericksen graduated from the Hochschule der Künste, Berlin, and subsequently received her Ph.D. from Kings College, London in 1997. She currently holds an AHRB research Fellowship at the University of Southampton, working on aspects of Mozart reception in the nineteenth century, and is also engaged in writing a book on opera at Covent Garden, 1830-1880.Robert D. Hume received his Ph.D. from the University of Pennsylvania in 1969 and taught at Cornell University. He is currently Evan Pugh Professor of English Literature at the Pennsylvania State University.Judith Milhous received her Ph.D. from Cornell University in 1974 and taught at the University of Iowa and the University of Maryland prior to joining the faculty of the Ph.D. Program in Theatre at the City University of New York, Graduate Centre, where she is now Distinguished Professor.

• PART 1: THE PANTHEON AND THE HISTORY OF OPERA IN LONDON, 1789-1795; PART 2: THE PANTHEON ENTERPRISE: ARCHITECTURE, PRODUCTION, REPERTOIRE, AND FINANCES; PART 3: APPENDICES

a fascinating read, constantly throwing up vivid insights into London life of the time, often with a dry wit ... What has given this book the edge over others on the subject is the discovery by the authors of what they term a massive cache of opera manuscripts in the Bedford Estates Office (London) in 1985.

Gabriella Didericksen graduated from the Hochschule der Künste, Berlin, and subsequently received her Ph.D. from Kings College, London in 1997. She currently holds an AHRB research Fellowship at the University of Southampton, working on aspects of Mozart reception in the nineteenth century, and is also engaged in writing a book on opera at Covent Garden, 1830-1880.Robert D. Hume received his Ph.D. from the University of Pennsylvania in 1969 and taught at Cornell University. He is currently Evan Pugh Professor of English Literature at the Pennsylvania State University.Judith Milhous received her Ph.D. from Cornell University in 1974 and taught at the University of Iowa and the University of Maryland prior to joining the faculty of the Ph.D. Program in Theatre at the City University of New York, Graduate Centre, where she is now Distinguished Professor.

• PART 1: THE PANTHEON AND THE HISTORY OF OPERA IN LONDON, 1789-1795; PART 2: THE PANTHEON ENTERPRISE: ARCHITECTURE, PRODUCTION, REPERTOIRE, AND FINANCES; PART 3: APPENDICES

a fascinating read, constantly throwing up vivid insights into London life of the time, often with a dry wit ... What has given this book the edge over others on the subject is the discovery by the authors of what they term a massive cache of opera manuscripts in the Bedford Estates Office (London) in 1985.