Christiane Gruber is Associate Professor of Islamic Art and Director of Graduate Studies in the Department of Art History at the University of Michigan, Ann Arbor. Her research interests span medieval Islamic art to contemporary visual culture. She has authored two books on Islamic texts and images of the Prophet Muhammad’s ascension and has edited several volumes on Islamic book arts, ascension texts and images, and visual and material culture.

• AcknowledgementsChapter 1: Islamic Architecture on the MoveChristiane GruberChapter 2: Karbala in Lucknow: An Itinerary of Architectural MobilityElise Kamleh and Katherine BartschChapter 3: The Mobile Matrix: The Hijaz Railway as Ritual Space and Generator of SpaceDavid SimonowitzChapter 4: Fabricating a New Image: Imperial Tents in the Late Ottoman PeriodAshley DimmigChapter 5: Mobility and Ambivalences: Negotiating Architectural Identities during Khedive Ismail’s Reign (1863–79)Marwa M. El-AshmouniChapter 6: ‘In the Absence of Originals’: Replicating the Tilework of Safavid Isfahan for South KensingtonMoya CareyChapter 7: Relocating to Hawai‘i: Dwelling with Islamic Art at Doris Duke’s Shangri LaOlga BushChapter 8: The Urban Fabric of Cairo: Khayamiya and the SuradeqSam BowkerNote on Contributors

Christiane Gruber is Associate Professor of Islamic Art and Director of Graduate Studies in the Department of Art History at the University of Michigan, Ann Arbor. Her research interests span medieval Islamic art to contemporary visual culture. She has authored two books on Islamic texts and images of the Prophet Muhammad’s ascension and has edited several volumes on Islamic book arts, ascension texts and images, and visual and material culture.

• AcknowledgementsChapter 1: Islamic Architecture on the MoveChristiane GruberChapter 2: Karbala in Lucknow: An Itinerary of Architectural MobilityElise Kamleh and Katherine BartschChapter 3: The Mobile Matrix: The Hijaz Railway as Ritual Space and Generator of SpaceDavid SimonowitzChapter 4: Fabricating a New Image: Imperial Tents in the Late Ottoman PeriodAshley DimmigChapter 5: Mobility and Ambivalences: Negotiating Architectural Identities during Khedive Ismail’s Reign (1863–79)Marwa M. El-AshmouniChapter 6: ‘In the Absence of Originals’: Replicating the Tilework of Safavid Isfahan for South KensingtonMoya CareyChapter 7: Relocating to Hawai‘i: Dwelling with Islamic Art at Doris Duke’s Shangri LaOlga BushChapter 8: The Urban Fabric of Cairo: Khayamiya and the SuradeqSam BowkerNote on Contributors

Christiane Gruber is Associate Professor of Islamic Art and Director of Graduate Studies in the Department of Art History at the University of Michigan, Ann Arbor. Her research interests span medieval Islamic art to contemporary visual culture. She has authored two books on Islamic texts and images of the Prophet Muhammad’s ascension and has edited several volumes on Islamic book arts, ascension texts and images, and visual and material culture.

• AcknowledgementsChapter 1: Islamic Architecture on the MoveChristiane GruberChapter 2: Karbala in Lucknow: An Itinerary of Architectural MobilityElise Kamleh and Katherine BartschChapter 3: The Mobile Matrix: The Hijaz Railway as Ritual Space and Generator of SpaceDavid SimonowitzChapter 4: Fabricating a New Image: Imperial Tents in the Late Ottoman PeriodAshley DimmigChapter 5: Mobility and Ambivalences: Negotiating Architectural Identities during Khedive Ismail’s Reign (1863–79)Marwa M. El-AshmouniChapter 6: ‘In the Absence of Originals’: Replicating the Tilework of Safavid Isfahan for South KensingtonMoya CareyChapter 7: Relocating to Hawai‘i: Dwelling with Islamic Art at Doris Duke’s Shangri LaOlga BushChapter 8: The Urban Fabric of Cairo: Khayamiya and the SuradeqSam BowkerNote on Contributors