Inbunden, Engelska, 2024
Del 13 i serien Buildings, Landscapes, and Societies
Isfahan
Architecture and Urban Experience in Early Modern Iran
1689 kr
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Beskrivning
A vibrant urban settlement from medieval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, this book reconstructs the spaces and senses of this dynamic city.Focusing on nuances of urban experience, Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city’s markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period.Drawing extensively on Persian literary and visual sources, including the “Guide for Strolling in Isfahan,” this book casts new light on the history of a major Eurasian city and opens up new possibilities for cross-cultural studies of urban experience in the early modern period.
Produktinformation
- Utgivningsdatum: 2024-04-02
- Mått: 229 x 254 x 26 mm
- Vikt: 1 334 g
- Format: Inbunden
- Språk: Engelska
- Serie: Buildings, Landscapes, and Societies
- Antal sidor: 276
- Förlag: Pennsylvania State University Press
- ISBN: 9780271095523
- Utmärkelser: Nominated for Spiro Kostof Book Award 2025
Utforska kategorier
Mer information
Farshid Emami is Assistant Professor in the Department of Art History at Rice University.
Recensioner i media
“Somewhere between a coffee-table book and an academic publication, it beckons the reader with colored plates of Isfahan’s tiled masterpieces, clear reproductions of historical sketches, as well as the author’s own architectural drawings, both floor-plans and angled projections, that bring back the grandeur and elegance of the Safavid capital.”—David Chaffetz Asian Review of Books
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