Irish Art of Controversy

Lucy McDiarmid is Professor of English at Villanova University. She has been the Carole and Gordon Segal Visiting Professor of Irish Literature at Northwestern University and Visiting Professor of English at Princeton. A former president of the American Conference for Irish Studies, McDiarmid is also author of Saving Civilization: Yeats, Eliot, and Auden between the Wars and Auden's Apologies for Poetry, and coeditor of High and Low Moderns: Literature and Culture 1889-1939 and Lady Gregory: Selected Writings. She is a fellow of the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library for 2005-2006.

In writing a book about Irish controversies, McDiarmid faced a daunting challenge in narrowing her selections to a manageable, representative set, given the preponderance of cultural and political battles to choose from during these years. Her choices are carefully balanced between revisiting well-known high literary affairs and introducing readers to cultural battles that deserve to be more widely studied.... McDiarmid brings to her investigation enviably deep, rich knowledge of the Irish Revival, building on her influential literary scholarship on Yeats, Gregory, and Casement.... In The Irish Art of Controversy, Lucy McDiarmid provides the sustained, masterful intellectual engagement that one would expect of a leading critic in Irish studies. She possesses the persuasive, illuminating power to reshape multiple debates about high cultural nationalism, language studies, sexuality, censorship, and socialism, to name but a few of the key topics studied here. As admirable, she has the narrative command and stylistic flourish to educate and edify non-specialists too. Very few scholars today attempt, let alone achieve, such balance.- Karen Steele (H-Albion, H-Net Reviews) McDiarmid discovers the drama of national identity enacted on the 'small sites' of particular controversies. Her case, built on finely detailed examples that blend fieldwork and archival study, is extremely compelling.... The book transcends its putative subject matter, however, to take on the larger history of modern Irish identity, eventually finding 'the Ireland of Mary Robinson and Sinead O'Connor' in the pre-1916 Ireland of Casement, Yeats, and others.... The compact timeline of the controversies' origins, 1908–1916, belies a project of far greater scope. In most cases, the controversy outlives the controversialist, and McDiarmid traces the posthumous history of each case right up to the present day... allowing new light to be shed on old arguments.- Julian Hanna (Modernism/modernity) McDiarmid's book... delivers an enjoyable, readable account of five 20th-century Irish spats.... The Irish Art of Controversy is an impressively researched, admirably intelligent study.- Terry Eagleton (Irish Times) McDiarmid's book is a masterly survey of one of the most complex periods of modern European history. The thoroughness and extent of the research is astonishing.... The Irish Art of Controversy has significant implications for the ways we think about language, power, interpretation, and culture in the period that gave rise to Gregory, Shaw, Yeats, Synge, Joyce, and O'Casey.- Marc C. Conner (Irish Literary Supplement) Rather than tell a familiar political tale of oppressors and oppressed, McDiarmid focuses on the dramatic subtleties of the domestic fight for control of the discourse of nationality.... Written with an objectivity of approach that reflects extensive research, with a strong narrative line that is maintained by a personable and sometimes even exclamatory style, The Irish Art of Controversy is an excellent referee for those who already know something of these fights, as well as for those new to the Irish cultural ringside.- John Kenny (Times Literary Supplement) Some of Ireland's best-known national characters make appearances here—Lady Gregory, George Bernard Shaw, Hugh Lane, Patrick Pearse, W. B. Yeats—and the work brings fresh relevance to history by demonstrating the impact of these controversies on today's society. This work is a treasure trove for scholars of Irish history and a surprisingly lively read for the general reader.- Noreen Bowden (Irish Emigrant Book Review)