Gabriel Hankins is Assistant Professor of English at Clemson University, South Carolina. He directs the Twentieth-Century Literary Letters Project, and writes on literary history, theory, digital method, correspondence, and color.

• 1. The queer modernist origins of interwar liberal order; 2. Friends and enemies: liberal order in Woolf, Wells, and Woolf; 3. The artist as clerk: debt, paperwork, and liberal order in T. S. Eliot; 4. Typewriter fiction at the secretariat; 5. Black modernist internationalisms between the wars: René Maran, W. E. B. Du Bois, Jessie Fauset, and Claude McKay.

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Gabriel Hankins is Assistant Professor of English at Clemson University, South Carolina. He directs the Twentieth-Century Literary Letters Project, and writes on literary history, theory, digital method, correspondence, and color.

• 1. The queer modernist origins of interwar liberal order; 2. Friends and enemies: liberal order in Woolf, Wells, and Woolf; 3. The artist as clerk: debt, paperwork, and liberal order in T. S. Eliot; 4. Typewriter fiction at the secretariat; 5. Black modernist internationalisms between the wars: René Maran, W. E. B. Du Bois, Jessie Fauset, and Claude McKay.

Select Guide Rating

Gabriel Hankins is Assistant Professor of English at Clemson University, South Carolina. He directs the Twentieth-Century Literary Letters Project, and writes on literary history, theory, digital method, correspondence, and color.

• 1. The queer modernist origins of interwar liberal order; 2. Friends and enemies: liberal order in Woolf, Wells, and Woolf; 3. The artist as clerk: debt, paperwork, and liberal order in T. S. Eliot; 4. Typewriter fiction at the secretariat; 5. Black modernist internationalisms between the wars: René Maran, W. E. B. Du Bois, Jessie Fauset, and Claude McKay.

Select Guide Rating