Barbara Baert (www.illuminare.be) is Professor at the University of Leuven. She teaches and researches in the field of Iconology, Art Theory and Medieval Art. In 2016, Barbara Baert was awarded the prestigious Francqui Prize for her bold approach to, and pioneering work in medieval visual culture.

• ContentsList of IllustrationsCopyrightsFirst PublicationIntroduction of Thresholds1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology6 Wild Is the Wind: Pathosformel and Iconology of a QuintessenceConclusionsBibliographyIndex

Barbara Baert (www.illuminare.be) is Professor at the University of Leuven. She teaches and researches in the field of Iconology, Art Theory and Medieval Art. In 2016, Barbara Baert was awarded the prestigious Francqui Prize for her bold approach to, and pioneering work in medieval visual culture.

• ContentsList of IllustrationsCopyrightsFirst PublicationIntroduction of Thresholds1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology6 Wild Is the Wind: Pathosformel and Iconology of a QuintessenceConclusionsBibliographyIndex

Barbara Baert (www.illuminare.be) is Professor at the University of Leuven. She teaches and researches in the field of Iconology, Art Theory and Medieval Art. In 2016, Barbara Baert was awarded the prestigious Francqui Prize for her bold approach to, and pioneering work in medieval visual culture.

• ContentsList of IllustrationsCopyrightsFirst PublicationIntroduction of Thresholds1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology6 Wild Is the Wind: Pathosformel and Iconology of a QuintessenceConclusionsBibliographyIndex