Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• PART 1: THEORISING THE MATERIAL CULTURE OF INTERNATIONAL LAW; PART 2: THE OBJECTS OF INTERNATIONAL LAW; I ORDER & AUTHORITY; II COMMODITIES; III TECHNOLOGIES; IV VIOLENCE; V MOVEMENT; VI IMAGES; VII SIGNS; VIII SUBJECTS

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.

Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• PART 1: THEORISING THE MATERIAL CULTURE OF INTERNATIONAL LAW; PART 2: THE OBJECTS OF INTERNATIONAL LAW; I ORDER & AUTHORITY; II COMMODITIES; III TECHNOLOGIES; IV VIOLENCE; V MOVEMENT; VI IMAGES; VII SIGNS; VIII SUBJECTS

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.

Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• PART 1: THEORISING THE MATERIAL CULTURE OF INTERNATIONAL LAW; PART 2: THE OBJECTS OF INTERNATIONAL LAW; I ORDER & AUTHORITY; II COMMODITIES; III TECHNOLOGIES; IV VIOLENCE; V MOVEMENT; VI IMAGES; VII SIGNS; VIII SUBJECTS

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.