Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• THINKING INTERNATIONAL LAW THROUGH OBJECTS; DANIEL JOYCE - INTERNATIONAL LAWS CABINET OF CURIOSITIES; JESSIE HOHMANN - OBJECTS AND THE LIFE OF INTERNATIONAL LAW; FLEUR JOHNS - THINGS WE MAKE AND DO WITH INTERNATIONAL LAW; WOUTER WERNER - SAYING AND SHOWING; ISOBEL ROELE - THE OBJECT OF STUDY; OBJECTS OF INTERNATIONAL LAW; AFRICAN COURT OF HUMAN AND PEOPLES' RIGHTS - NICOLE DE SILVA; AIDS VIRUS - THERESE MURPHY; AXUM STELE - LUCAS LIXINSKI; BARCELONA TRACTION SHARE - FILIPPO FONTANELLI AND GUISEPPE BIANCO; BOOTS (ON THE GROUND) - KIMBERLEY TRAPP; BORDER CHECK POINT, THE MOLDOVAN REPUBLIC OF TRANSNISTRIA - FRANCOIS FINCK; BRETON ROAD SIGNS - JACQUELINE MOWBRAY; CHICOTTE - ANNE-CHARLOTTE MARTINEAU; DATA: THE GIVEN - STEPHEN HUMPHREYS; DECHIQUETEUSE (PAPERSHREDDER) - IMMI TALLGREN; DRONE - IOANNIS KALPOUZOS; GAVEL - JAMES PARKER; GOOD URBAN CITIZEN - HELMUT AUST; GLYPHOSATE - ALLESANDRA ARCURI; USAID RICE, HAITI - CHARLIE PEEVERS; INSULAE MOLUCCAE: A DUTCH EAST INDIA COMPANY MAP - KATE MILES; JOLLY ROGER - ZIV BOHRER; MOSUL FOUR AND IRAN SIX - ALEX MILLS; ONE TONNE OF CARBON DIOXIDE EQUIVALENT (1TCO2E) - JULIA DEHM; OPIUM - JESSIE HOHMANN; ORDNANCE SURVEY GRID REFERENCES - GERRY SIMPSON; PAINTINGS OF INTERNATIONAL LAWS TEXTBOOKS - JEAN DASPREMONT AND ERIC DE BRABANDERE; PASSPORT - SARAH DEHM; PEACE SIGN, COLOMBIAN NEUTRALISED ZONE - THOMAS MCMANUS; POLYMETALLIC NODULES FROM THE OCEAN FLOOR - SURABHI RANGANATHAN; POSTCARD FROM THE ICTY - SOPHIE RIGNEY; PURSE SEINE NET - ANDREW LANG; REFUGEE CHAINS - ALISON KESBY; RAILWAY CLOCKS - GEOFF GORDON; RUSSIAN FLAG AT THE NORTH POLE - ROSEMARY RAYFUSE; SCREEN - CHRISTINE SCHWOBEL-PATEL AND WOUTER WERNER; SHIPS BALLAST - LOLITA BUCKNER-INNISS; SOMALI PIRATE SKIFF - DOUG GUILFOYLE; SOVEREIGN MARK OF THE ROI NE-DOUCOULA, KING OF BOMA - TANJA AALBERTS; STAINED GLASS WINDOWS, PEACE PALACE, THE HAGUE - DANIEL LITWIN; SUGAR - MICHAEL FAKHRI; TREATY CANOE - RUTH BUCHANAN AND JEFF HEWITT; TREES - LESLIE-ANNE DUVIC-PAOLI; WESTERN SAHARA BOUNDARY MARKER - JEFFREY SMITH; WHALE - MALGOSIA FITZMAURICE

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.

Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• THINKING INTERNATIONAL LAW THROUGH OBJECTS; DANIEL JOYCE - INTERNATIONAL LAWS CABINET OF CURIOSITIES; JESSIE HOHMANN - OBJECTS AND THE LIFE OF INTERNATIONAL LAW; FLEUR JOHNS - THINGS WE MAKE AND DO WITH INTERNATIONAL LAW; WOUTER WERNER - SAYING AND SHOWING; ISOBEL ROELE - THE OBJECT OF STUDY; OBJECTS OF INTERNATIONAL LAW; AFRICAN COURT OF HUMAN AND PEOPLES' RIGHTS - NICOLE DE SILVA; AIDS VIRUS - THERESE MURPHY; AXUM STELE - LUCAS LIXINSKI; BARCELONA TRACTION SHARE - FILIPPO FONTANELLI AND GUISEPPE BIANCO; BOOTS (ON THE GROUND) - KIMBERLEY TRAPP; BORDER CHECK POINT, THE MOLDOVAN REPUBLIC OF TRANSNISTRIA - FRANCOIS FINCK; BRETON ROAD SIGNS - JACQUELINE MOWBRAY; CHICOTTE - ANNE-CHARLOTTE MARTINEAU; DATA: THE GIVEN - STEPHEN HUMPHREYS; DECHIQUETEUSE (PAPERSHREDDER) - IMMI TALLGREN; DRONE - IOANNIS KALPOUZOS; GAVEL - JAMES PARKER; GOOD URBAN CITIZEN - HELMUT AUST; GLYPHOSATE - ALLESANDRA ARCURI; USAID RICE, HAITI - CHARLIE PEEVERS; INSULAE MOLUCCAE: A DUTCH EAST INDIA COMPANY MAP - KATE MILES; JOLLY ROGER - ZIV BOHRER; MOSUL FOUR AND IRAN SIX - ALEX MILLS; ONE TONNE OF CARBON DIOXIDE EQUIVALENT (1TCO2E) - JULIA DEHM; OPIUM - JESSIE HOHMANN; ORDNANCE SURVEY GRID REFERENCES - GERRY SIMPSON; PAINTINGS OF INTERNATIONAL LAWS TEXTBOOKS - JEAN DASPREMONT AND ERIC DE BRABANDERE; PASSPORT - SARAH DEHM; PEACE SIGN, COLOMBIAN NEUTRALISED ZONE - THOMAS MCMANUS; POLYMETALLIC NODULES FROM THE OCEAN FLOOR - SURABHI RANGANATHAN; POSTCARD FROM THE ICTY - SOPHIE RIGNEY; PURSE SEINE NET - ANDREW LANG; REFUGEE CHAINS - ALISON KESBY; RAILWAY CLOCKS - GEOFF GORDON; RUSSIAN FLAG AT THE NORTH POLE - ROSEMARY RAYFUSE; SCREEN - CHRISTINE SCHWOBEL-PATEL AND WOUTER WERNER; SHIPS BALLAST - LOLITA BUCKNER-INNISS; SOMALI PIRATE SKIFF - DOUG GUILFOYLE; SOVEREIGN MARK OF THE ROI NE-DOUCOULA, KING OF BOMA - TANJA AALBERTS; STAINED GLASS WINDOWS, PEACE PALACE, THE HAGUE - DANIEL LITWIN; SUGAR - MICHAEL FAKHRI; TREATY CANOE - RUTH BUCHANAN AND JEFF HEWITT; TREES - LESLIE-ANNE DUVIC-PAOLI; WESTERN SAHARA BOUNDARY MARKER - JEFFREY SMITH; WHALE - MALGOSIA FITZMAURICE

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.

Dr. Hohmann is a lecturer in law at Queen Mary, University of London. She researches in the areas of human rights and international law, with particular interests in how human rights push at the normative limits of international law. She has written a book on The Right to Housing: Law, Concepts, Possibilities (Hart, 2013, paperback 2014) which was shortlisted for the SLS prize. She also researches on indigenous rights. Her publications have considered the role of icons in human rights struggles, and how visions of social transformation connect with legal regulations and rights.Dr. Joyce is a lecturer in law at UNSW Australia. He researches in the areas of international law and media law. His publications have considered the role of representation and of the media in shaping international law, as well as focusing on the evidentiary and historical aspects of international legal processes and institutions. At UNSW Law he lectures in the compulsory subject Law in a Global Context and offers elective subjects in media law and media and human rights. He is currently acting convenor for the international law stream within the Faculty of Law and co-ordinator for the postgraduate workshop of the Australian and New Zealand Society of International Law.

• THINKING INTERNATIONAL LAW THROUGH OBJECTS; DANIEL JOYCE - INTERNATIONAL LAWS CABINET OF CURIOSITIES; JESSIE HOHMANN - OBJECTS AND THE LIFE OF INTERNATIONAL LAW; FLEUR JOHNS - THINGS WE MAKE AND DO WITH INTERNATIONAL LAW; WOUTER WERNER - SAYING AND SHOWING; ISOBEL ROELE - THE OBJECT OF STUDY; OBJECTS OF INTERNATIONAL LAW; AFRICAN COURT OF HUMAN AND PEOPLES' RIGHTS - NICOLE DE SILVA; AIDS VIRUS - THERESE MURPHY; AXUM STELE - LUCAS LIXINSKI; BARCELONA TRACTION SHARE - FILIPPO FONTANELLI AND GUISEPPE BIANCO; BOOTS (ON THE GROUND) - KIMBERLEY TRAPP; BORDER CHECK POINT, THE MOLDOVAN REPUBLIC OF TRANSNISTRIA - FRANCOIS FINCK; BRETON ROAD SIGNS - JACQUELINE MOWBRAY; CHICOTTE - ANNE-CHARLOTTE MARTINEAU; DATA: THE GIVEN - STEPHEN HUMPHREYS; DECHIQUETEUSE (PAPERSHREDDER) - IMMI TALLGREN; DRONE - IOANNIS KALPOUZOS; GAVEL - JAMES PARKER; GOOD URBAN CITIZEN - HELMUT AUST; GLYPHOSATE - ALLESANDRA ARCURI; USAID RICE, HAITI - CHARLIE PEEVERS; INSULAE MOLUCCAE: A DUTCH EAST INDIA COMPANY MAP - KATE MILES; JOLLY ROGER - ZIV BOHRER; MOSUL FOUR AND IRAN SIX - ALEX MILLS; ONE TONNE OF CARBON DIOXIDE EQUIVALENT (1TCO2E) - JULIA DEHM; OPIUM - JESSIE HOHMANN; ORDNANCE SURVEY GRID REFERENCES - GERRY SIMPSON; PAINTINGS OF INTERNATIONAL LAWS TEXTBOOKS - JEAN DASPREMONT AND ERIC DE BRABANDERE; PASSPORT - SARAH DEHM; PEACE SIGN, COLOMBIAN NEUTRALISED ZONE - THOMAS MCMANUS; POLYMETALLIC NODULES FROM THE OCEAN FLOOR - SURABHI RANGANATHAN; POSTCARD FROM THE ICTY - SOPHIE RIGNEY; PURSE SEINE NET - ANDREW LANG; REFUGEE CHAINS - ALISON KESBY; RAILWAY CLOCKS - GEOFF GORDON; RUSSIAN FLAG AT THE NORTH POLE - ROSEMARY RAYFUSE; SCREEN - CHRISTINE SCHWOBEL-PATEL AND WOUTER WERNER; SHIPS BALLAST - LOLITA BUCKNER-INNISS; SOMALI PIRATE SKIFF - DOUG GUILFOYLE; SOVEREIGN MARK OF THE ROI NE-DOUCOULA, KING OF BOMA - TANJA AALBERTS; STAINED GLASS WINDOWS, PEACE PALACE, THE HAGUE - DANIEL LITWIN; SUGAR - MICHAEL FAKHRI; TREATY CANOE - RUTH BUCHANAN AND JEFF HEWITT; TREES - LESLIE-ANNE DUVIC-PAOLI; WESTERN SAHARA BOUNDARY MARKER - JEFFREY SMITH; WHALE - MALGOSIA FITZMAURICE

By drawing from a wide array of sources, both methodologically and substantively, this edited volume invites the reader to engage with materiality in, through and as international law. It offers a groundbreaking collection of artefacts, which (in their own ways) interrogate the complex relationship between the normative and the material, the discursive and the tangible. By weaving their analysis of the objects with vivid images and pictures, the contributors provide snapshots of diverging 'ways of seeing' international law in theory and in practice. This 'visualisation of international law' quickly turns readers into spectators and calls for an inquiry into the politics of the gaze. Hence, the book is nothing less than an invitation to self-reflexivity in the exercise of seeing — or of avoiding seeing — the performances of international law.