Mark Crossley is a Senior Lecturer in Drama and Performing Arts at De Montfort University Leicester, UK. His work on intermediality has been published in a range of journals and he is co-editor for the RiDE (Research in Drama Education) special edition 21.3 entitled 'Responding to Intermediality'.

• Introduction; Mark Crossley1. Theatre (and you) as medium and intermedium; Mark Crossley with contributions from LarsElleström2. Twenty-First Century Intermediality; Andy Lavender3. The Performer in Intermedial Theatre; Joanne Scott and Bruce Barton4. Time in Intermedial Theatre; Joanne Scott5. Technology and Intermedial Theatre; Rosemary Klich6. The Audience in Intermedial Theatre; Gareth White7. Practitioner Case Studies.

Written in a highly engaging and accessible manner, Crossley and his excellent contributors provide robust and multidimensional analytical frameworks alongside vivid descriptions of recent performance work. This work will be of use immediately in today’s classrooms, rehearsal rooms, and libraries, and will be a guide for future experimentations in this performance genre for years to come.

Mark Crossley is a Senior Lecturer in Drama and Performing Arts at De Montfort University Leicester, UK. His work on intermediality has been published in a range of journals and he is co-editor for the RiDE (Research in Drama Education) special edition 21.3 entitled 'Responding to Intermediality'.

• Introduction; Mark Crossley1. Theatre (and you) as medium and intermedium; Mark Crossley with contributions from LarsElleström2. Twenty-First Century Intermediality; Andy Lavender3. The Performer in Intermedial Theatre; Joanne Scott and Bruce Barton4. Time in Intermedial Theatre; Joanne Scott5. Technology and Intermedial Theatre; Rosemary Klich6. The Audience in Intermedial Theatre; Gareth White7. Practitioner Case Studies.

Written in a highly engaging and accessible manner, Crossley and his excellent contributors provide robust and multidimensional analytical frameworks alongside vivid descriptions of recent performance work. This work will be of use immediately in today’s classrooms, rehearsal rooms, and libraries, and will be a guide for future experimentations in this performance genre for years to come.

Mark Crossley is a Senior Lecturer in Drama and Performing Arts at De Montfort University Leicester, UK. His work on intermediality has been published in a range of journals and he is co-editor for the RiDE (Research in Drama Education) special edition 21.3 entitled 'Responding to Intermediality'.

• Introduction; Mark Crossley1. Theatre (and you) as medium and intermedium; Mark Crossley with contributions from LarsElleström2. Twenty-First Century Intermediality; Andy Lavender3. The Performer in Intermedial Theatre; Joanne Scott and Bruce Barton4. Time in Intermedial Theatre; Joanne Scott5. Technology and Intermedial Theatre; Rosemary Klich6. The Audience in Intermedial Theatre; Gareth White7. Practitioner Case Studies.

Written in a highly engaging and accessible manner, Crossley and his excellent contributors provide robust and multidimensional analytical frameworks alongside vivid descriptions of recent performance work. This work will be of use immediately in today’s classrooms, rehearsal rooms, and libraries, and will be a guide for future experimentations in this performance genre for years to come.