Insights Into Creative and Participatory Research

Linzi Ladlow is Senior Research Fellow and a Leverhulme Trust Early Career Award holder at the University of Lincoln. Laura Way is Senior Lecturer in Sociology at the University of Roehampton.

• Foreword - Helen Lomax1. Introduction - Linzi Ladlow and Laura WayPart 1: Co-creation2. Longitudinal co- creation: a novel participatory approach for embedding an ethos of father- inclusion in communities, practice and policy - Anna Tarrant3. Explosion time: creative involvement in research with young, disabled and LGBTQ+ people - Edmund Coleman-Fountain, Harvey Humphrey, Benji Rose-Ingall, Eddy Phillips and Alex Toft4. Creativity troubling methods: an online carousel of creative methods during the COVID- 19 pandemic - James Duggan and Rod Kippen5.Participatory action research and community organising: empowering Black and other Global Majority student voices - Amina RazakPart 2: Art and visual research6. From zines with older punk women to zines with young dads: zines and (non-)DIY cultures - Laura Way7. ‘It gives access to a different layer of meaning’: reflections from a photo- production study on work–life balance - Agata B. Wezyk and Catherine V. Talbot8. The living journals method: a digital participatory research approach for studying participants’ daily lives - Sabina Savadova9. ‘Building blocks of something extraordinary’: refusing damage- centred research with migrant communities in the UK through creative methods - Rebekka HölzlePart 3: Community space and place10.Site-specific creative work with communities: encounters with the field - Kate Pahl and Steven Pool11.Creative methodologies and participatory research with/in punk spaces: dialectograms in Belfast (Northern Ireland) and Le Val d’Ajol (France) - Jim Donaghey and Audrey Tuaillon Demésy12.Care-informed militant ethnography: centring praxis in research design - Elise Imray Papineau13.Social co-creations of joy as methodological foci in skateboarding research - Amy Pomerand Petzoldt

“This edited collection is a much-needed contribution to the creative research methods literature that showcases innovative uses of creative and participatory methods, such as participatory approaches to zines, digital methods and dialectograms. The book benefits from a range of contributors in terms of disciplines and career stage which allows us to think generously about the wide-ranging potential reach of these methods and ways to build more inclusive research.” Sophie Woodward, University of Manchester