Innovation in Music: Adjusting Perspectives

Jan-Olof Gullö is Professor in Music Production at the Royal College of Music, Stockholm, Sweden and Visiting Professor at Linnaeus University.Russ Hepworth-Sawyer is a mastering engineer with MOTTOsound, an Associate Professor at York St John University, and the managing editor of the Perspectives on Music Production series for Routledge.Dave Hook is an Associate Professor in Music at Edinburgh Napier University. A rapper, poet, songwriter, and music producer, his research focuses on hip-hop, rap lyricism, identity, culture, and performance, through creative practice.Mark Marrington is an Associate Professor in Music Production at York St John University, having previously held teaching positions at Leeds College of Music and the University of Leeds. His research interests include metal music, music technology and creativity, the contemporary classical guitar, and twentieth-century British classical music, and his recently published book, Recording the Classical Guitar (2021), won the 2022 ARSC Award for Excellence in Historical Recorded Sound Research (Classical Music).Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK. He has numerous research publications as author and editor. His research interests include haptics, 3-D audio, and interactive music, fields that he has investigated over a number of funded projects. He is also an active music producer and composer; his latest album (with Robert Sholl) Les ombres du Fantôme, was released in 2023 on Metier Records.Rob Toulson is Director of RT60 Ltd, who develop innovative music applications for mobile platforms. He was formerly Professor of Creative Industries at the University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob is an author and editor of many books and articles, including Drum Sound and Drum Tuning, published by Routledge in 2021.

• 1. On Error, Accident and Contingency in Music 2. The Streaming Curve: Streaming, The S Curve and Super-abundance 3. Missed or Postponed Innovation? The Rise and Fall (and Rise?) of Live Streamed Music Events in Italy 4. You’re Not Supposed to Launder my Music! Music as Data in the Training of Generative AI Music Models 5. “Unconscious Rebelliousness”: The Polytonal Roles of Young Musicians in an Innovative Music Program 6. Innovation in Music: Reimagining Approaches to Gender Equality in the British Live Music Industry 7. Modes of Engagement with Classical Music: Digital Formats 8. When Chord Charts Fail: Pitfalls of Radical Reharmonisation of Jazz Standards 9. Digital Aesthetics and Transcending Lo-Fi in Alex G’s God Save the Animals 10. Space and Place: Outsiders Collecting, Curating and Sharing Insider Stories and Sounds 11. Aural Architecture: Integrating Site into Composition 12. “We Went From ‘Yes, Yes Yawl’, Tae ‘Who You Talkin Tae?’”: Language and Authenticity in Scots Hip Hop 13. Might as Well be Swing: On the Use and Misuse of Quantisation in Hip-Hop Production 14. Innovation in Dance Music Research: A Focus on Listening 15. Creative Cyborgs: Virtual 3D Characters as Artist Identities for Musicians 16. Translating Artworks into Music: Synaesthetic Reverse-Engineering in Music Composition 17. Reframing Conflicts Between Systematic Production, Creative Production, Authorship and Ownership 18. An Innovative Music Production Model Leading to a Sustainable Hit Song: "Främling"