Alix Beeston is Senior Lecturer in English at Cardiff University and author of In and Out of Sight: Modernist Writing and the Photographic Unseen.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University and author of William Faulkner in Hollywood: Screenwriting for the Studios.

• ContentsEditors’ Acknowledgments Pathways to the Feminist Incomplete: An Introduction, a Theory, a ManifestoAlix Beeston and Stefan Solomon PART ONE. UNFOUND OBJECTS 1. NeverJane M. Gaines 2. Catastrophic Optimism in the Name of LéontineMaggie Hennefeld 3. Body Parts: Feeling Labor in Early Film ColorKatherine Groo PART TWO. REFUSALS AND INTERRUPTIONS 4. Creating the Archive for Incomplete Feminist Cinematic Narratives: The Andean-Amazonian CaseIsabel Seguí 5. Women (Not) Making Movies under the Popular Unity in Chile (1970–1973)Elizabeth Ramírez-Soto 6. Writing with Jocelyne Saab: Infinite Metamorphoses and Sensitive VariationsMathilde Rouxel PART THREE. IN PROCESS 7. Ins and Outtakes: An InterviewPeggy Ahwesh and Leo Goldsmith 8. “They keep moving”: Serialized Incompletion in the Work of Leslie Thornton and Lynn Hershman LeesonStefan Solomon 9. One Long Electrical Cord: Dance, Editing, and the Creative UnfinishedKaren Pearlman 10. Shirkers and Its Afterlives: Six Epitaphs for an Incomplete FilmSophia Siddique PART FOUR. POSTHUMOUS RETURNS 11. Kathleen Collins . . . PosthumouslyAlix Beeston 12. The Fierce, Unfinishable, Feminist Legacies of Helen HillKaren Redrobe 13. Girls Who Can’t Say No: Celebrity Resurrections and the Consent of the DeadKatherine Fusco The Ruined Map, Relinked: A PostscriptGiuliana Bruno About the Contributors Index

Alix Beeston is Senior Lecturer in English at Cardiff University and author of In and Out of Sight: Modernist Writing and the Photographic Unseen.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University and author of William Faulkner in Hollywood: Screenwriting for the Studios.

• ContentsEditors’ Acknowledgments Pathways to the Feminist Incomplete: An Introduction, a Theory, a ManifestoAlix Beeston and Stefan Solomon PART ONE. UNFOUND OBJECTS 1. NeverJane M. Gaines 2. Catastrophic Optimism in the Name of LéontineMaggie Hennefeld 3. Body Parts: Feeling Labor in Early Film ColorKatherine Groo PART TWO. REFUSALS AND INTERRUPTIONS 4. Creating the Archive for Incomplete Feminist Cinematic Narratives: The Andean-Amazonian CaseIsabel Seguí 5. Women (Not) Making Movies under the Popular Unity in Chile (1970–1973)Elizabeth Ramírez-Soto 6. Writing with Jocelyne Saab: Infinite Metamorphoses and Sensitive VariationsMathilde Rouxel PART THREE. IN PROCESS 7. Ins and Outtakes: An InterviewPeggy Ahwesh and Leo Goldsmith 8. “They keep moving”: Serialized Incompletion in the Work of Leslie Thornton and Lynn Hershman LeesonStefan Solomon 9. One Long Electrical Cord: Dance, Editing, and the Creative UnfinishedKaren Pearlman 10. Shirkers and Its Afterlives: Six Epitaphs for an Incomplete FilmSophia Siddique PART FOUR. POSTHUMOUS RETURNS 11. Kathleen Collins . . . PosthumouslyAlix Beeston 12. The Fierce, Unfinishable, Feminist Legacies of Helen HillKaren Redrobe 13. Girls Who Can’t Say No: Celebrity Resurrections and the Consent of the DeadKatherine Fusco The Ruined Map, Relinked: A PostscriptGiuliana Bruno About the Contributors Index

Alix Beeston is Senior Lecturer in English at Cardiff University and author of In and Out of Sight: Modernist Writing and the Photographic Unseen.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University and author of William Faulkner in Hollywood: Screenwriting for the Studios.

• ContentsEditors’ Acknowledgments Pathways to the Feminist Incomplete: An Introduction, a Theory, a ManifestoAlix Beeston and Stefan Solomon PART ONE. UNFOUND OBJECTS 1. NeverJane M. Gaines 2. Catastrophic Optimism in the Name of LéontineMaggie Hennefeld 3. Body Parts: Feeling Labor in Early Film ColorKatherine Groo PART TWO. REFUSALS AND INTERRUPTIONS 4. Creating the Archive for Incomplete Feminist Cinematic Narratives: The Andean-Amazonian CaseIsabel Seguí 5. Women (Not) Making Movies under the Popular Unity in Chile (1970–1973)Elizabeth Ramírez-Soto 6. Writing with Jocelyne Saab: Infinite Metamorphoses and Sensitive VariationsMathilde Rouxel PART THREE. IN PROCESS 7. Ins and Outtakes: An InterviewPeggy Ahwesh and Leo Goldsmith 8. “They keep moving”: Serialized Incompletion in the Work of Leslie Thornton and Lynn Hershman LeesonStefan Solomon 9. One Long Electrical Cord: Dance, Editing, and the Creative UnfinishedKaren Pearlman 10. Shirkers and Its Afterlives: Six Epitaphs for an Incomplete FilmSophia Siddique PART FOUR. POSTHUMOUS RETURNS 11. Kathleen Collins . . . PosthumouslyAlix Beeston 12. The Fierce, Unfinishable, Feminist Legacies of Helen HillKaren Redrobe 13. Girls Who Can’t Say No: Celebrity Resurrections and the Consent of the DeadKatherine Fusco The Ruined Map, Relinked: A PostscriptGiuliana Bruno About the Contributors Index