The first English-language collection focused on the later works of Joyce Mansour, an Arab-Jewish Surrealist poet who was exiled from Egypt in the 1950s and settled in Paris. Mansour's late poems chart constellations of desire, femininity, and dream. Considered by Andre Breton to be the preeminent Surrealist of the post-war period, Mansour brings this masculine movement into a feminine realm never-before-imagined. She insists on a forgotten or perhaps vehemently denied eventuality of women's equality: their ability to do harm, to be violent: 'Why tear fire from the impalpable sky / When it already grows and smolders in me / Why throw your glove into the crowd / Tomorrow is a livid stump.' In the Glittering Maw is poet C. Francis Fisher's first published translation and includes a preface by eminent Surrealism scholar Mary Ann Caws.

The first English-language collection focused on the later works of Joyce Mansour, an Arab-Jewish Surrealist poet who was exiled from Egypt in the 1950s and settled in Paris. Mansour's late poems chart constellations of desire, femininity, and dream. Considered by Andre Breton to be the preeminent Surrealist of the post-war period, Mansour brings this masculine movement into a feminine realm never-before-imagined. She insists on a forgotten or perhaps vehemently denied eventuality of women's equality: their ability to do harm, to be violent: 'Why tear fire from the impalpable sky / When it already grows and smolders in me / Why throw your glove into the crowd / Tomorrow is a livid stump.' In the Glittering Maw is poet C. Francis Fisher's first published translation and includes a preface by eminent Surrealism scholar Mary Ann Caws.

The first English-language collection focused on the later works of Joyce Mansour, an Arab-Jewish Surrealist poet who was exiled from Egypt in the 1950s and settled in Paris. Mansour's late poems chart constellations of desire, femininity, and dream. Considered by Andre Breton to be the preeminent Surrealist of the post-war period, Mansour brings this masculine movement into a feminine realm never-before-imagined. She insists on a forgotten or perhaps vehemently denied eventuality of women's equality: their ability to do harm, to be violent: 'Why tear fire from the impalpable sky / When it already grows and smolders in me / Why throw your glove into the crowd / Tomorrow is a livid stump.' In the Glittering Maw is poet C. Francis Fisher's first published translation and includes a preface by eminent Surrealism scholar Mary Ann Caws.