In Fading Light

The Films of the Amber Collective

Inbunden, Engelska, 2020

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For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on Left politics and working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber's output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.

Produktinformation

Utgivningsdatum2020-04-01
Mått152 x 229 x 21 mm
Vikt500 g
FormatInbunden
SpråkEngelska
Antal sidor268
FörlagBerghahn Books
ISBN9781789206500

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Film inom Kultur

List of IllustrationsAcknowledgementsIntroductionChapter 1. Histories of AmberChapter 2. Salvaging the Past, 1968 to 1980Chapter 3. Can't Beat It Alone: Current Affairs and Investigations, 1982 to 1988Chapter 4. The Sirkka-Liisa Konttinen Films, 1983 to 1994Chapter 5. Dream On: Drama Features, 1981 to 1991Chapter 6. From the Tyne to the Coalfields: Feature Films, 1995 to 2005Chapter 7. Still Here: Amber in the Twenty-First CenturyConclusion: Amber at FiftySelect BibliographyAmber FilmographyIndex

"Discussing Amber's entire oeuvre is a formidable task, and Leggott accomplishes it with panache. His detailed readings of the individual films are insightful and informed, illustrated not only with reference to the local and regional contexts in which they were made but also to the wider contexts of British politics, culture and film history." - Steve Presence, University of the West of England (UWE Bristol)"This is an impressive and very detailed analysis of all works of the Amber collective from 1968 to the present. The book takes a systematic approach to categorizing the works thematically and aesthetically, often contextualizing them within the broader traditions of British documentary filmmaking and social realism." - Ib Bondebjerg, University of Copenhagen