Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.

Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.

Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.