Images of the Plant Humanities

Danielle Sands is Senior Lecturer in Comparative Literature and Culture at Royal Holloway, University of London, UK.Daniel Whistler is Professor of Philosophy, Royal Holloway, University of London, UK.

• Part One: Understanding Plant Monsters1. “What a Strange Prodigy”: The Welwitschia mirabilisKatherine Arnold (University of Liverpool, UK)2. No Monsters Here: Vegetable Teratology and Plant HorrorStella Sandford (Manchester Metropolitan University, UK)3. Abnormal Plants and Anomalous Arts: Troubling the Non/Human NormAliya Say (Independent scholar)4. The “Plant Horror” of Turpin’s Urpflanze and Hooker’s Welwitschia: Narratives of Monstrous Proliferation and Grotesque HybridityCaroline Harris (Royal Holloway, University of London, UK)Part Two: Narrating Plant Desires5. Thinking Sex with Plants: The Speculative Sexualities of Enlightenment BotanyNatania Meeker (University of Southern California, USA)6. Fern Tongues: A Pteridomaniac's Imagination of Vegetal Time and DesireSolvejg Nitzke (Ruhr-University Bochum, Germany)7. Dragon Arum: A Phytopoetic Gaze on Vegetal Violence and EroticismJoela Jacobs (University of Arizona, USA)8. The Quest for the Blue Flower: The Legacy of German Romanticism in Three Contemporary NovelsIsabel Kranz (University for Applied Arts, Vienna, Austria)Part Three: Rediscovering Plant Agency9. The Temporality of Titan ArumJohn C. Ryan (University of Notre Dame, Australia)10. Prickly-Pairs: On Humans, Plants, and TechnicityEd Thornton (Independent Researcher)11. Extending the Botanical: Agency, Abstraction and Contemporary Plant DrawingDanielle Sands (Royal Holloway, University of London, UK)Part Four: Resituating Plants Ecologically12. Undoing the Hollow Space of Representation: Margaret Mee’s Plant Portraits in the Kew CollectionYota Batsaki (Dumbarton Oaks, Harvard University USA)13. Papa and Kuka: A Biocultural Exploration of Two Andean CropsNataly Allasi Canales (University of Copenhagen, Denmark/Royal Botanic Gardens, Kew, UK) and Kim Walker (Royal Holloway, University of London, UK/Royal Botanic Gardens, Kew)14. Lacebark and the Interior Décor of the Jamaican Slave CottageSteeve Buckridge (Grand Valley State University, USA)15. Humboldt and Bonpland’s Essay on the Geography of Plants: The Other Side of the Physical Tableau of the AndesQuentin Hiernaux (Université libre de Bruxelles, Belgium)Part Five: Redrawing Plant Boundaries16. “Where Nature stopped half-way”: Waterlilies and the Foliar Theory of the FlowerUlrich Stegmann (University of Aberdeen, UK)17. The Place of Algae in Experimental Natural HistoriesJoan Steigerwald (University of York, UK)18. A “Funeral Oration” for Lichenology?Lydia Azadpour (University of Nottingham, UK)Part Six: Representing Plants Otherwise19. This is not a BrugmansiaGiovanni Aloi (Independent Researcher) 20. Ginkgo and Dark BotanyPrudence Gibson (University of New South Wales, Sydney, Australia) and Maya Martin-Westheimer (University of New South Wales)21. Anna Atkins’ Cyanotypes: Gestures for Hands Driven by SunlightRedell Olsen (Royal Holloway, University of London, UK)22. The Ecology of Plant IconographyLaurence Hill (Independent Artist)Part Seven: Reimagining Plant Forms23. Blue So DeepBen Woodard (Independent Researcher) 24. Containing Nature in the Leaves of a Book: Botany, Bibliography, and the Embodiment of ThoughtThomas Moynihan (University of Cambridge, UK)25. Drawing the Urpflanze: Goethe, Arber, GrothendieckSophie Gerber (University of Bordeaux, France)Afterword: The Library and Archives at the Royal Botanic Gardens, KewJulia Buckley (Royal Botanic Gardens, Kew, UK)

A fascinating collection that explores the myriad different ways in which humans see and represent plants and questions the biases inherent in the Western botanic gaze.