Katherine Thomson-Jones is Professor of Philosophy at Oberlin College. She has published extensively in aesthetics and the philosophy of film.

• IntroductionAcknowledgments 1. Digital Imaging Technology2. Digital Structure3. Digital Ontology and Appreciation4. Digital Media and Appreciation5. Digital Interactivity6. Digital Realism

For readers exploring the specificity of digital media, Image in the Making offers a solid introduction and raises questions and distinctions that are helpful for both viewers and makers of digital art. The book's aims are pedagogical, with each chapter stating its thesis clearly and concluding with a summation. While the style of argument may be new to some readers, and the emphasis on formal analysis without attention to broader political elements may be off putting to others, the book makes a useful contribution to the broader discussions of contemporary digital media.

Katherine Thomson-Jones is Professor of Philosophy at Oberlin College. She has published extensively in aesthetics and the philosophy of film.

• IntroductionAcknowledgments 1. Digital Imaging Technology2. Digital Structure3. Digital Ontology and Appreciation4. Digital Media and Appreciation5. Digital Interactivity6. Digital Realism

For readers exploring the specificity of digital media, Image in the Making offers a solid introduction and raises questions and distinctions that are helpful for both viewers and makers of digital art. The book's aims are pedagogical, with each chapter stating its thesis clearly and concluding with a summation. While the style of argument may be new to some readers, and the emphasis on formal analysis without attention to broader political elements may be off putting to others, the book makes a useful contribution to the broader discussions of contemporary digital media.

Katherine Thomson-Jones is Professor of Philosophy at Oberlin College. She has published extensively in aesthetics and the philosophy of film.

• IntroductionAcknowledgments 1. Digital Imaging Technology2. Digital Structure3. Digital Ontology and Appreciation4. Digital Media and Appreciation5. Digital Interactivity6. Digital Realism

For readers exploring the specificity of digital media, Image in the Making offers a solid introduction and raises questions and distinctions that are helpful for both viewers and makers of digital art. The book's aims are pedagogical, with each chapter stating its thesis clearly and concluding with a summation. While the style of argument may be new to some readers, and the emphasis on formal analysis without attention to broader political elements may be off putting to others, the book makes a useful contribution to the broader discussions of contemporary digital media.