Image and Structure in Chamber Music was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The major portion of this book is devoted to descriptions of the most important chamber music works, taken up in separate chapters by composer in broadly chronological order—Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Schumann, and Brahms. There are also chapters on the intimacy of chamber music, on the antecedents of the above-named composers, on nationalistic chamber music, on twentieth-century chamber music, and on chamber music in the United States.

Image and Structure in Chamber Music was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The major portion of this book is devoted to descriptions of the most important chamber music works, taken up in separate chapters by composer in broadly chronological order—Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Schumann, and Brahms. There are also chapters on the intimacy of chamber music, on the antecedents of the above-named composers, on nationalistic chamber music, on twentieth-century chamber music, and on chamber music in the United States.

Image and Structure in Chamber Music was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The major portion of this book is devoted to descriptions of the most important chamber music works, taken up in separate chapters by composer in broadly chronological order—Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Schumann, and Brahms. There are also chapters on the intimacy of chamber music, on the antecedents of the above-named composers, on nationalistic chamber music, on twentieth-century chamber music, and on chamber music in the United States.