iBroadway

Jessica Hillman-McCord is Associate Professor at SUNY Fredonia, USA. Her articles have appeared in TDR: The Drama Review, Studies in Musical Theatre and Theatre Topics, among others. Her book, Echoes of the Holocaust on the American Musical Stage, was published in 2012.

• 1. Musical Theatre in the Digital Age; Jessica Hillman-McCord.- 2. Connection in an Isolating Age: Looking Back on Twenty Years of Engaging Audiences and Marketing Musical Theatre Online; Laura McDonald.- 3. The Digital-Age Musical: Sighting/Siting Musicals Defined by High-Tech Content, Themes, and Memes; Pamyla Stiehl.- 4. Ghosts in the Machine: Digital Technology and Screen-to-Stage Musicals; Amy S. Osatinski.- 5. Let’s Misbehave?: Cell Phone Technology and Audience Behaviors Kathryn Edney.- 6. Digital Fandom: Hamilton and the Participatory Spectator; Jessica Hillman-McCord.- 7. No-Object Fandom: ‘Smash’-ing Kickstarter and Bringing Bombshell to the Stage; Kirsty Sedgman..- 8. “You Can’t Stop the Tweet:” Social Media and Networks of Participation in the Live Television Musical; Ryan Bunch.- 9. Musical Theatre Casting in the Digital Age: Social Media, Online Branding, and Micro-Celebrity; Nathan Stith.- 10. Keeping the Celebrity Flame Flickering: Reality Television Celebrities on Broadway and Fan Interaction Through Digital Media; Emily Clark.- 11. The Advantages of Floating in the Middle of the Sea: Digital Musical Theatre Research; Doug Reside.- 12. Recanonizing “American” Sound and Reinventing the Broadway Song Machine: Digital Musicology Futures of Broadway Musicals; Sissi Liu.- 13. Rise Again Digitally: Musical Revivals and Digital Dramaturgy on Broadway; Bryan Vandevender.- 14. The Ever Evolving World of 21st Century Theatre Criticism; Bud Coleman.- 15. Looking Backward, Looking Forward: An Afterword; Elizabeth Wollman.-

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