Häftad, Engelska, 2016

I Heard it Through the Grapevine

ASA Benveniste and Trigram Press

Av Jeremy Reed, Asa Benveniste

299 kr

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Beskrivning

Asa Benveniste (1925-1990) who founded the legendary Trigram Press in London in 1965, ostensibly to publish Anglo-American cutting-edge poetry, was not only a self-taught, one-off maverick genius as a printer, typographer and book-designer, but also a superbly innovative language poet, whose own poetry tended to be obscured by his merits as a publisher. Throughout its duration, 1965-1978, the Trigram list epitomised ultimate hipster cool, as a leading independent. Jeremy Reed's deeply personal tribute to Benveniste as his enduring poetic avatar, and the encourager and publisher of his early poetry informs a book that is both an appraising memoir and a significant evaluation of Trigram Press. The book also includes a reprint of Benveniste's collection, Edge (1975).

Produktinformation

Utgivningsdatum: 2016-02-26
Mått: 152 x 229 x 8 mm
Vikt: 189 g
Format: Häftad
Språk: Engelska
Antal sidor: 120
Förlag: Shearsman Books
ISBN: 9781848614635

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Mer information

Jeremy Reed, born on a chip of rock off the coast of French Normandy, has been for decades one of Britain's most dynamic, adventurous and controversial poets. Called by the Independent "British poetry's glam, spangly, shape-shifting answer to David Bowie", his poetry, fiction and performances of his work are singularly inimitable in their opposition to grey mainstream poetry. He has published over 40 books of poetry, fiction and non-fiction, winning prestigious literary prizes such as the Somerset Maugham Award, and, on coming to live in London in the 1980s, was patronised by the artist Francis Bacon. Among his biggest fans have been the late J.G. Ballard, Pete Doherty and Bjork, who called his work "'the most beautiful, outrageously brilliant poetry in the world"' Jeremy writes about every subject that British poetry considers taboo: glamour, pop, rock, sci-fi, cyber, mutant, gay, drugs, neuroscience, the disaffected and outlawed, and the fizzy big-city chemistry of the London in which he lives and creates. His performances solo, or with The Ginger Light are unrivalled in intensity.

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