Avaes Mohammad’s plays include Bhopal, In God We Trust, The Student, Shadow Companion, Crystal Kisses, Fields of Grey, Of Another World. He is currently Associate Artist with Red Ladder Theatre Company, Tamasha Theatre Company and Fellow of the Muslim Institute. He also recently founded the Lahore Agitprop Theatre Company in Pakistan. Avaes has also conducted workshops worldwide with organisations that include The Royal Court (London), English PEN, British Council and the Alternative Living Theatre (India). In 2012 he co-founded The Lahore Agitprop Theatre Company in Pakistan. Committed to the evolving landscape of British Arts, Avaes has directed the British South Asian Theatre Memories Project in partnership with the Foundation of Indian Performing Arts (FIPA) and SOAS, archiving the collective journeys of British South Asian Theatre through the narratives of its practitioners.

Avaes Mohammad, with wise understatement, aims simply to put the spotlight on this cultural schizophrenia, asking what it might mean to live as a young man in a working class northern town where racism is rampant... If the point of the double bill were to create an idea of simple cause and effect between BNP elements and Islamic fundamentalists, then it would fail. Yet Mohammad simply, and effectively, shows how the colliding of worlds is part of a wider problem.