Hunting Houses

• Utgivningsdatum: 2017-08-17
• Mått: 133 x 203 x 12 mm
• Vikt: 299 g
• Format: Häftad
• Språk: Engelska
• Antal sidor: 224
• Förlag: House of Anansi Press Ltd ,Canada
• ISBN: 9781487002381
• Översättare: Susan Ouriou, Christelle Morelli

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FANNY BRITT is a playwright, novelist and translator. She collaborated with Isabelle Arsenault on two previous graphic novels: Jane, the Fox and Me, which won the Governor General’s Literary Award for Children’s Illustration (French) and the Joe Shuster Award for Best Writer and for Best Artist, and Louis Undercover. Her other award-winning works include the play Bienvaillance and her first novel, Les maisons (published in English as Hunting Houses). Fanny lives in Montreal, Quebec, with her husband and two sons.SUSAN OURIOU is an award-winning fiction writer and literary translator with over seventy translations and co-translations of fiction, non-fiction, children’s and young-adult literature to her credit. She has received the Governor General’s Literary Award for Translation and, in 2024, her translation of Catherine Leroux's The Future won CBC's Canada Reads. Her translations have also been long-listed for awards such as the International Dublin Literary Award, the Carol Shields Prize for Fiction and the Giller Prize as well as appearing on IBBY’s Honor List. She has also published Nathan, a novel for young readers, and Damselfish, short-listed for the WGA's Georges Bugnet award for fiction. CHRISTELLE MORELLI is a literary translator and French immersion teacher. She has translated several works of fiction for publication, including Jane, the Fox and Me and Stolen Sisters. Having lived in Quebec and France, she now makes her home with her family in Western Canada.

“Fanny Britt’s Hunting Houses is as transparent and true a picture of startling, soul-seizing, everyday love as you’ll ever come across in fiction. But here, also, is the kind of haunting temptation that can threaten enduring love, the hairline crack from the past that promises to break apart everything that matters. Think Chekhov’s Lady with Lapdog or poor Madame Bovary or Anna Karenina — if those women were to fall in love in 80s Montreal, if they had to line up all night on the sidewalk waiting for Pearl Jam tickets, if they grew up to be real estate agents with an eye for homey interiors and faults in the foundation. Think of all the subtle, complex deals women make with themselves to stay true. In bone-honest, luminous prose, Britt shows the nature of lust and how we can become the playthings of our past desires, however illusory.” — Lisa Moore, award-winning author of February and Caught

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