Del i serien Critical Studies in Television

Humor and Latina/o Camp in Ugly Betty

Funny Looking

Häftad, Engelska, 2017

AvTanya González,Eliza Rodriguez y Gibson

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Humor and Latina/o Camp in Ugly Betty: Funny Looking expands the vista of critical approaches to comedy and representational politics on mainstream television from an interdisciplinary Latina/o studies approach. González and Rodriguez y Gibson examine how Ugly Betty uses humor and Latina/o camp to reframe socially charged issues on the show: representations of masculinity and familia, immigration, drag and queer subjectivities, Latina sexuality, and finally, a Latina feminist critique of the American Dream. Ugly Betty moves beyond the binaries of traditional representational politics and opens a vista of critical possibility applicable to all mainstream texts that portray people of color through comedy. This work will be of interest to scholars in media studies, Latina/o studies, and communication studies.

Produktinformation

Utgivningsdatum2017-07-20
Mått153 x 228 x 15 mm
Vikt308 g
FormatHäftad
SpråkEngelska
SerieCritical Studies in Television
Antal sidor198
FörlagBloomsbury Publishing Plc
ISBN9780739197516

Tillhör följande kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Television inom Kultur
Referensverk och tvärvetenskap inom Samhälle och politik
Etnicitet inom Samhälle och politik

González and Rodriguez y Gibson use a ‘funny looking’ lens to analyze the popular television series Ugly Betty (2006–10). Featuring minority characters and taking a progressive stance on LGBTQ issues, the sitcom resides ‘on the border’—on one hand acclaimed for avoiding cliché, on the other derided for ‘humorous and campy manipulation of stereotypes.’ Embracing the ambiguities of borderland culture, the authors observe the main character’s attempt at auto-defining what it means to be a second-generation Mexican American/Chicana engaging with ‘race, ethnicity, gender and sexuality.’ Each chapter highlights specific episodes that make fun and make sense of a particular topic within Chicana/o culture. The series and thus this book give alternative representations of Latino masculinity and ‘familia.’ The authors also address immigration issues such as separation of families, adaptation of recent immigrants, and assimilation into mainstream culture of subsequent generations. They reflect on sexually charged masculine and feminine roles and new interpretations of Latina sexuality. This book illustrates a progressive ‘Latinidad’ that challenges the inequalities and injustices at the foundations of the American dream. Summing Up: Recommended. Graduate students, researchers, faculty.