This shift from philosophical analysis to a robust empirical approach of experiment and observation is the starting point of this book, which is a fascinating account of social scientists' investigations of art through interviews, experiments, data collection, and statistical analysis. Winner touches on a variety of topics ranging from music and emotion, fiction and empathy, the Mozart effect, and perfect fakes and forgeries, to Hockney's theory of optical aids, effort bias, artistic prodigies, deliberate practice and talent, and our curious enjoyment of negative emotions. Recommended for all readers.