Hothouse Bloom

Austyn Wohlers was born in Atlanta in 1996. Her other writing has appeared in The Baffler, The Massachusetts Review, Guernica, and elsewhere. She is also a musician, releasing music alone and with the band Tomato Flower. Hothouse Bloom is her first book.

“Beautiful and strikingly original [...]. It is thrilling to witness a writer attempting and mostly succeeding at something so ambitious, to feel her reaching for the root of all awe.” —Mesha Maren, New York Times“With its euphonious investigation of the ever-shifting borderline between the existential and the mystical, Hothouse Bloom immediately establishes Austyn Wohlers as a vital and extraordinary wellspring of the divine. Akin in turns to Redonnet, Lispector, and Tarkovsky, hers is the rare kind of debut that resets the bar for the field at large, convalescing fervent depth and resolve where it’s gone missing underneath the wearying veneer of our everyday.” —Blake Butler, author of Molly“In Hothouse Bloom, Austyn Wohlers's prodigious talents as a prose stylist are on full display as she bores deep into the psyche of her solitary protagonist, Anna, whose unexpected inheritance of an apple orchard sends her on an absorbing quest for slow self-annihilation that doesn't turn out quite how she—or for that matter, the reader—could have predicted.” —Ryan Ruby, author of Context Collapse“Written with the intensity of Clarice Lispector and the early work of Elena Ferrante, Austyn Wohlers's Hothouse Bloom is a courageous satire of an idealistic artist turned ruthless capitalist. A thrilling and fevered examination of friendship, ambition, and obsession, Hothouse Bloom announces the arrival of a singular and important new voice in literature.” —Patrick Cottrell, author of Sorry to Disrupt the Peace“Hothouse Bloom begins inside a fog, and though this fog, in which violence may or may not have occurred, eventually lifts, its memory lingers throughout the novel—quietly, calmly, and uneasily. I had the impression reading this novel that I was viewing an impressionist painting, or occupying the liminal state between sleep and wakefulness. I did not want to break my gaze, or to wake up.” —Thirii Myo Kyaw Myint, author of Names for Light“Phenomenally talented and exquisitely attuned to the missed apprehension, the dusting of rot suggesting blight, the inexpressible yearning for transmutation that collapses under its own compromised avidity, Austyn Wohlers has crafted a lush and slightly deranged pastoral, like a shoegazing post-feminist Blithedale Romance, as vivid in its commitment to affect as it is lacerating in its sophistication. Hothouse Bloom reverberates, unfolds, turns fractal, and breaks again and again, tracing the keen edge of consciousness where desire and repulsion merge. A beautiful, bountiful, and harrowing debut.” —Roy Scranton, author of I Heart Oklahoma!“The late 2000s and early 2010s internet was full of Tumblr posts and memes of no provenance about the possibility of running away to the country, ignoring and leaving all your connections behind to commune with the trees, to maybe find something more, something you couldn’t in your bland suburban sameness. Hothouse Bloom fulfills that urge. Yet, as Austyn Wohlers so quietly, yet definitely explores in Hothouse Bloom, running away from it all isn’t quite as possible as we think. Worries and compulsions follow Anna to the orchard, and the ways that capitalism underpin our existence are revealed as the apple harvest grows closer. Hothouse Bloom begins ethereally, but drags you back to earth in the same vein as Clarice Lispector or Otessa Mosfegh.” —Mikey LaFave, Avid Bookshop“Hothouse Bloom is a stylistically assured and mature debut novel that peers into Eden and finds there no paradise, but instead the all-devouring appetites of capital. Austyn Wohlers is a writer worth our attention.” —Stephen Sparks, Point Reyes Books“A tremendously lush, stylistic novel enlivened by the push and pull between its twin focuses – our main character’s interiority, and the natural world to which she attempts to escape from her own head. Gently paced and beautiful in its attention to physical detail, this is a book that manifests the care and attention given to the orchard at its center. A calming, quietly alluring read.”  —Bryan Seitz, Literati Bookstore“With poetic and sensual descriptions, Austyn Wohlers puts readers inside the mind of Anna, a young painter who has inherited her late grandfather’s apple orchard.” —Nancy Pierce, Bookmiser, Inc.“Atlanta native Austyn Wohlers makes her literary debut with this slim novel about a woman who abandons her relationships and painting career to live in isolation on an apple orchard she inherited from her grandfather. But Anna’s solitude is interrupted when a friend arrives for a visit and tries to interest her in painting again. As harvest season approaches, more people invade Anna’s privacy — pickers, neighbors, contractors — and she realizes that in order to return to her state of solitude, the orchard must turn a profit. Atlanta author Blake Butler says the novel ‘immediately establishes Austyn Wohlers as a vital and extraordinary wellspring of the divine.’” —Atlanta Journal-Constitution, Summer Reading List“Gorgeous, erudite, and ungoverned.” —Kirkus Reviews“Hothouse Bloom is a lush exploration of isolation, fixation, and the insidious ways capitalism seeps into our private lives. Wohlers packs a lot into this slim novel. While you may finish it in one sitting, it will stay with you for much, much longer.” —Debutiful“Wohlers makes no effort to explain or rehabilitate her character, however. In fact, the novel feels at times like an arthouse film: heavily crafted, full of beautiful scenery and complex characters, self-conscious and inscrutable.” —Sarah Beth West, Chapter 16“Often exhilarating and beautiful [...]. Wohlers is unafraid of chasing philosophical abstractions down one rabbit hole after another, to the point where the absolute definitions of words are less important than their poetic resonance.” —Wilson McBee, Southwest Review“In Hothouse Bloom, the author precisely portrays the tension between utopian immersion in nature and the relentless encroachment of money-mindedness. The novel delves into the consequences of commodification—reflected in the natural world and the self—and to question the possibility of authentic human engagement within an ecosystem despite the overwhelming currents of consumerism and the relentless intensity of modern market structures.”  —Nayoung Bishoff, Southern Review of Books