Homer's Allusive Art

Inbunden, Engelska, 2016

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What kind of allusion is possible in a poetry derived from a centuries-long oral tradition, and what kind of oral-derived poetry are the Homeric epics? Comparison of Homeric epic with South Slavic heroic song has suggested certain types of answers to these questions, yet the South Slavic paradigm is neither straightforward in itself nor necessarily the only pertinent paradigm: Augustan Latin poetry uses many sophisticated and highly self-conscious techniques of allusion which can, this book contends, be suggestively paralleled in Homeric epic, and some of the same techniques of allusion can be found in Near Eastern poetry of the third and second millennia BC. By attending to these various paradigms, this challenging study argues for a new understanding of Homeric allusion and its place in literary history, broaching the question of whether there can have been historical continuity in a poetics of allusion stretching from the Mesopotamian epic of Gilgamesh, via the Iliad and Odyssey, to the Aeneid and Metamorphoses, despite the enormous disparities of time and place and of language and culture, including those represented by the cuneiform tablet, the papyrus roll, and by an oral performance culture. The fundamental methodological problems are explored through a series of interlocking case studies, treating of how the Odyssey conceivably alludes to the Iliad and also to earlier poetry on Odysseus' homecoming, the Iliad to earlier poetry on the Ethiopian hero Memnon, the Homeric Hymn to Demeter to earlier poetry on Hades' abduction of Persephone, and early Greek epic to Mesopotamian mythological poetry, pre-eminently the Babylonian epic of Gilgamesh.

Produktinformation

Utgivningsdatum2016-10-13
Mått164 x 240 x 25 mm
Vikt656 g
FormatInbunden
SpråkEngelska
Antal sidor358
FörlagOUP OXFORD
ISBN9780198768821

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Bruno Currie is Associate Professor in Classical Languages and Literature at the University of Oxford and Monro Fellow and Tutor in Classics at Oriel College. His chief research interests are ancient Greek poetry (especially epic and lyric), ancient Greek religion, and the interaction between the two, and he is the author of several articles on these subjects. His other publications include Epic Interactions: Perspectives on Homer, Virgil, and the Epic Tradition Presented to Jasper Griffin by Former Pupils (Oxford, 2006), as co-editor, and the authored monograph Pindar and the Cult of Heroes (Oxford, 2005).

Currie argues his case insistently and consistently, while at the same time being explicit throughout about the hypothetical nature of much of what he proposes One does notneed to share Currie's conception of allusion in order to benefit from a book which isso full of interesting material - both Greek and Near Eastern - and bristles withso many sharp observations, striking comparisons, and thought-provoking reflections.