History of Self-Harm in Britain

Chris Millard is Wellcome Trust Research Fellow at Queen Mary, University of London, UK, interested in Munchasuen syndromes (including Munchausen by Proxy and Munchausen by Internet), self-harm, attempted suicide and parity of esteem in mental health. He helps run the Carnival of Lost Emotions – engaging the public about the history of feelings.

• This book is open access under a CC BY license. Introduction: Self-Harm From Social Setting To Neurobiology 1. Early Twentieth-Century Self-Harm: Cut Throats, General And Mental Medicine 2. Communicative Self-Damage: War, NHS And Social Work 3. Self-Harm Becomes Epidemic: Mental Health (1959) And Suicide (1961) Acts 4. Self-Harm As A Result Of Domestic Distress 5. Self-Harm As Self-Cutting: Inpatients And Internal Tension Conclusion: The Politics Of Self-Harm: Social Setting And Self-Regulation

"This is a brave and provocative book. By narrating the complex history of self-harm in the decades after the Second World War, Chris Millard achieves far more than simply illuminating what has become a prominent mental health issue for modern populations. He also encourages us to rethink how we conceive and write history and how we might better understand and question current political preferences for individualised, rather than social, explanations of mental distress. With a distinctive authorial voice, Millard's work provides a constructive model for the next generation of social historians of psychiatry." Mark Jackson, University of Exeter, UK 'Through a focus on Britain between the 1940s to the 1980s, Millard reveals how the self-harm subject was always more than a product of disembodied psychological and psychiatric theory and practice; it was inextricably a constructed part of changing social, political and ideological times. He thus defies the reigning ahistoricity and naturalization of the subject in its historiography, as well as challenges the current historically transcendent neurobiological constructions of self-harm. Acute and committed, this is critical history at its most productive.' Roger Cooter, Warwick University, UK