Inbunden, Engelska, 2005

Histories of the Future

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Beskrivning

We live in a world saturated by futures. Our lives are constructed around ideas and images about the future that are as full and as flawed as our understandings of the past. This book is a conceptual toolkit for thinking about the forms and functions that the future takes. Exploring links between panic and nostalgia, waiting and utopia, technology and messianism, prophecy and trauma, it brings together critical meditations on the social, cultural, and intellectual forces that create narratives and practices of the future. The prognosticators, speculators, prophets, and visionaries have their say here, but the emphasis is on small narratives and forgotten conjunctures, on the connections between expectation and experience in everyday life.In tightly linked studies, the contributors excavate forgotten and emergent futures of art, religion, technology, economics, and politics. They trace hidden histories of science fiction, futurism, and millennialism and break down barriers between far-flung cultural spheres. From the boardrooms of Silicon Valley to the forests of Java and from the literary salons of Tokyo to the roadside cafÉs of the Nevada desert, the authors stitch together the disparate images and stories of futures past and present. Histories of the Future is further punctuated by three interludes: a thought-provoking game that invites players to fashion future narratives of their own, a metafiction by renowned novelist Jonathan Lethem, and a remarkable graphic research tool: a timeline of timelines.Contributors. Sasha Archibald, Susan Harding, Jamer Hunt, Pamela Jackson, Susan Lepselter, Jonathan Lethem, Joseph Masco, Christopher Newfield, Elizabeth Pollman, Vicente Rafael, Daniel Rosenberg, Miryam Sas, Kathleen Stewart, Anna Tsing

Produktinformation

Utgivningsdatum: 2005-07-21
Mått: 155 x 239 x 30 mm
Vikt: 771 g
Format: Inbunden
Språk: Engelska
Antal sidor: 376
Förlag: Duke University Press
ISBN: 9780822334859

Utforska kategorier

Nationalekonomi

Mer information

Daniel Rosenberg is Assistant Professor of History in the Robert D. Clark Honors College at the University of Oregon. He specializes in the intellectual and cultural history of the French Enlightenment.Susan Harding is Professor of Anthropology at the University of California, Santa Cruz. Her most recent book is The Book of Jerry Falwell: Fundamentalist Language and Politics.

Recensioner i media

“An eclectic, provocative mix of ideas and approaches united by their common intelligence and lucidity, the essays in Daniel Rosenberg’s and Susan Harding’s Histories of the Future tease out unexpected adjacencies between a welter of social, political, and cultural scenarios that touch on questions of the yet-to-come. This is a book that should be read by anyone with an interest in the relationship of the future to the past-and of the present to both.”-Jeffrey Kastner, senior editor of Cabinet magazine “Telling of timelines to the end of time and boom times for imagining the future, this fine book is a boon for all of us who tune in for such timely discourses. Astute essays-and a chancy global futures card game-take the reader from salvage frontiers in South Kalimantan; to desert folk futurologies in Rachel, Nevada, and lived surreal cityscapes in Irvine, California; to fraught future makings through art, technology, and social movements in the Philippines and Japan; to that end-of-the millennium portal, Heaven’s Gate. Histories of the Future experiments with topic, genre, and mode. Its own narratives of the metastasizing metanarratives of late-twentieth-century and early-twenty-first-century future making are at home in trauma time, everyday time, Big Time, prophecy time, local nonstandard time, and global time. Asking how to examine grand stories with local acts, this valuable collection makes palpable the rich collaborative thinking that bound the authors as they studied the shapes of futures already lost and futures still imaginable. We never get Big Stories out of place; rather, Histories of the Future gives us robust places, artifacts, practices, texts, and performances in which narrative control of possible futures is at stake.”-Donna J. Haraway, University of California, Santa Cruz

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