Historical Performance in Baroque Music

DAVID SCHULENBERG has performed on historical keyboard instruments across North America, Europe and Asia, and has recorded for Naxos, Hungaroton, and Brilliant Classics. His publications include The Music of Carl Philipp Emanuel Bach (University of Rochester Press, 2014). He has taught at Boston University, the Juilliard School, and the University of North Carolina at Chapel Hill, where he directed the Collegium Musicum. His website schulenbergmusic.org features numerous recordings and editions.

• List of IllustrationsAcknowledgementsA Note on Pitch ReferencesIntroduction Part 1. Parameters of Performance1 Sources and Editions2 Styles and Genres3 Voices4 Instruments5 Tempo and Rhythm6 Articulation7 Basso Continuo8 Ornaments and Embellishment9 Interpretation Part 2. Case Studies10 Italian Vocal Music, Seventeenth Century: Barbara Strozzi, Ardo in tacito foco; with Notes on Giacomo Carissimi, Jephte11 Early Eighteenth-Century Vocal Music in the Italian Tradition: George Frideric Handel, Lucrezia and Other Works12 Vocal Music in the French Tradition, Early Eighteenth Century: Elizabeth Jacquet de La Guerre, Susanne; with Notes on Rameau, Orphée13 Vocal Music by Bach: Cantata 82, with Notes on Other Works14 Early Baroque Instrumental Music in Italy: Toccatas by Frescobaldi, with Notes on Sonatas by Castello15 Later Baroque Instrumental Music for Strings: Corelli, Sonatas; with Notes on Bach's Unaccompanied Sonatas and Suites16 Chamber Music from Eighteenth-Century France: Couperin and the French Concert17 Bach, Brandenburg Concerto no. 2 and Related Music BibliographyIndex