Del 7 - California Series in Hip Hop Studies

Hip Hop Studies and Queer Black Feminism

Nyhet

Häftad, Engelska, 2026

AvElaine B. Richardson,Gwendolyn D. Pough,Treva B. Lindsey

339 kr

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Hip Hop Studies and Queer Black Feminism presents a dynamic and much-needed fresh analysis of Black gendering and racialized sexualities in the sphere of Hip Hop. Editors Elaine B. Richardson, Gwendolyn D. Pough, and Treva B. Lindsey bring together established and rising scholars to examine the work of Hip Hop creators and practitioners, using the genre as a lens to address the crises of this historical moment, marked by attacks on bodily autonomy, LGBTQ+ rights, education, and Black studies. Tracing legacies of queer Black feminist activism and expression through Hip Hop culture and music, this timely anthology recenters queer Black feminism and cements its place in (Black) culture, liberation movements, and education.

Produktinformation

Utgivningsdatum2026-03-31
Mått152 x 229 x 15 mm
Vikt346 g
FormatHäftad
SpråkEngelska
SerieCalifornia Series in Hip Hop Studies
Antal sidor218
FörlagUniversity of California Press
ISBN9780520409095

Tillhör följande kategorier

Populärmusik inom Kultur
Musikhistoria inom Kultur
Genusvetenskap inom Samhälle och politik

Elaine B. Richardson (aka Dr. E) is a community-engaged scholar of Literacy Studies at The Ohio State University. She is a performing artist, writer, speaker, and survivor who has won many awards over the course of her inspirational life.Gwendolyn D. Pough is an award-winning professor of Women's and Gender Studies at Syracuse University. Her groundbreaking book Check It While I Wreck It: Black Womanhood, Hip-Hop Culture, and the Public Sphere was the first book on women in Hip Hop.Treva B. Lindsey is an award-winning author and professor at The Ohio State University specializing in African American women's history and culture. She is the cofounder of Black Feminist Night School at Zora's House in Columbus, Ohio, and the recipient of numerous fellowships and grants for her cutting-edge research.

Contents Foreword: Hip Hop's Black Queer TemporalityShanté Paradigm SmallsEditors' ForewordsElaine B. Richardson, Gwendolyn D. Pough, and Treva B. LindseyPrefaceAcknowledgments Introduction1. Ladies Night: On Missy Elliott, Collaboration, and Black Queer Feminist RelationalitiesElliott H. Powell2. "I'm a Whole Bisexual": Cardi B, "WAP," and Bisexual ErasureLauron Kehrer3. Homolatent Masculinity and Hip Hop CultureMoya Bailey4. The "Gangsta Bitch" of G-Funk: Theorizing Black Gender and Sexuality at the End of Black MoralityBrittnay L. Proctor5. Material Girls: Saucy Santana and Femme Black Rappers as Descendants of ResistanceParker Foster6. Queering Brazilian Hip Hop Literacies: TIELY Artivist Interventions into Diasporic (Trans*)PeripheriesTanya L. Saunders7. Making a Way in the Meantime: Sampling "Industry Baby" to Reimagine What's Possible in Literacy Classroomsshea wesley martin8. Queering the Syllabi in Hip Hop StudiesAnamaría Flores9. Queering Hip Hop Politics: Living/Lives MatterAndreana Clay10. Black Feminist Rule #3080: Don't Be Everybody's Cup of Tea, Be Free in The PynkElaine B. Richardson and Gwendolyn D. Pough Further Reading and ViewingContributorsIndex