Katy Masuga earned a PhD in Comparative Literature from the University of Washington, Seattle in 2007, centring on Anglo, French and Germanic modernism. Masuga has also written numerous articles as well as The Secret Violence of Henry Miller (Camden House 2011). Her current research focuses on Beckett, Wittgenstein and language. Masuga has researched and taught literature, philosophy, film, art history, history and languages at universities in France, Germany, the US and UK. She is an Associated Researcher at Paris-Sorbonne University and Editorial Coordinator at Sony Computer Science Laboratory in Paris.

• Introduction; 1. Leaves of Letters // Walt Whitman; 2. The Dream of a Ridiculous Writer // Fyodor Dostoevsky; 3. Through the Jabber // Lewis Carroll; 4. The Drunken Inkwell // Arthur Rimbaud; 5. In Search of Lost Allusion // Marcel Proust; 6. Writers and Lovers // D. H. Lawrence; Conclusion; Works Cited; Index.

Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. -- Herbert Blau, Byron W. and Alice L. Lockwood Professor of the Humanities University of Washington Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here. -- John Calder, publisher and bookseller Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here.

Katy Masuga earned a PhD in Comparative Literature from the University of Washington, Seattle in 2007, centring on Anglo, French and Germanic modernism. Masuga has also written numerous articles as well as The Secret Violence of Henry Miller (Camden House 2011). Her current research focuses on Beckett, Wittgenstein and language. Masuga has researched and taught literature, philosophy, film, art history, history and languages at universities in France, Germany, the US and UK. She is an Associated Researcher at Paris-Sorbonne University and Editorial Coordinator at Sony Computer Science Laboratory in Paris.

• Introduction; 1. Leaves of Letters // Walt Whitman; 2. The Dream of a Ridiculous Writer // Fyodor Dostoevsky; 3. Through the Jabber // Lewis Carroll; 4. The Drunken Inkwell // Arthur Rimbaud; 5. In Search of Lost Allusion // Marcel Proust; 6. Writers and Lovers // D. H. Lawrence; Conclusion; Works Cited; Index.

Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. -- Herbert Blau, Byron W. and Alice L. Lockwood Professor of the Humanities University of Washington Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here. -- John Calder, publisher and bookseller Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here.

Katy Masuga earned a PhD in Comparative Literature from the University of Washington, Seattle in 2007, centring on Anglo, French and Germanic modernism. Masuga has also written numerous articles as well as The Secret Violence of Henry Miller (Camden House 2011). Her current research focuses on Beckett, Wittgenstein and language. Masuga has researched and taught literature, philosophy, film, art history, history and languages at universities in France, Germany, the US and UK. She is an Associated Researcher at Paris-Sorbonne University and Editorial Coordinator at Sony Computer Science Laboratory in Paris.

• Introduction; 1. Leaves of Letters // Walt Whitman; 2. The Dream of a Ridiculous Writer // Fyodor Dostoevsky; 3. Through the Jabber // Lewis Carroll; 4. The Drunken Inkwell // Arthur Rimbaud; 5. In Search of Lost Allusion // Marcel Proust; 6. Writers and Lovers // D. H. Lawrence; Conclusion; Works Cited; Index.

Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. -- Herbert Blau, Byron W. and Alice L. Lockwood Professor of the Humanities University of Washington Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here. -- John Calder, publisher and bookseller Books may be, as Miller said, "as much a part of life as trees, stars or dung," but he also said 90% of them "could be thrown on the junk heap." As for the 10% which contributed to the often overlooked intelligence of his seemingly pornographic, idiosyncratic prose, Katy Masuga's much-needed study discretely shows why, and how, with suggestive attention to the writer writing about writing itself. Henry Miller, although he read widely, selectively and in some ways eccentrically, was a totally instinctive writer, whose novels as well as his other writings were based on observation and personal experience rather than ideas or influences. Katy Masuga's study of Miller is a brave endeavour to bind him to his reading, and she finds surprising and original sides to his work that have not been noticed before, giving him a sophistication buried underneath the surface of his work, that might have surprised even the author himself. Anybody looking for the depths in Henry Miller's novels that he sought in his reading will find it here.