Alberto L. Siani is Associate Professor of Aesthetics at the Department of Civilizations and Forms of Knowledge, University of Pisa. He has published mostly on the aesthetics of German Idealism and is the co-editor, with Sandrine Bergès, of Women Philosophers on Autonomy: Historical and Contemporary Perspectives (Routledge, 2018).

• Introduction 1. Historical and Philosophical Background: Kant and Schiller, the Revolution, and the Malaise of Modernity 2. From the Symbolic to the Humoristic and Back: The New Sacred of Art 3. (The Absence of) Art’s Right 4. Futures of Art: Hegel, Danto, Pippin 5. Antigone, the Disappearance of the Tragic, and Human Rights 6. Croce and Gramsci (and Gentile) on Hegel’s Dialectics and the Death of Art 7. Subjects and Destinies of Poetry: Heidegger and Celan 8. No Code Aesthetics

Alberto L. Siani is Associate Professor of Aesthetics at the Department of Civilizations and Forms of Knowledge, University of Pisa. He has published mostly on the aesthetics of German Idealism and is the co-editor, with Sandrine Bergès, of Women Philosophers on Autonomy: Historical and Contemporary Perspectives (Routledge, 2018).

• Introduction 1. Historical and Philosophical Background: Kant and Schiller, the Revolution, and the Malaise of Modernity 2. From the Symbolic to the Humoristic and Back: The New Sacred of Art 3. (The Absence of) Art’s Right 4. Futures of Art: Hegel, Danto, Pippin 5. Antigone, the Disappearance of the Tragic, and Human Rights 6. Croce and Gramsci (and Gentile) on Hegel’s Dialectics and the Death of Art 7. Subjects and Destinies of Poetry: Heidegger and Celan 8. No Code Aesthetics

Alberto L. Siani is Associate Professor of Aesthetics at the Department of Civilizations and Forms of Knowledge, University of Pisa. He has published mostly on the aesthetics of German Idealism and is the co-editor, with Sandrine Bergès, of Women Philosophers on Autonomy: Historical and Contemporary Perspectives (Routledge, 2018).

• Introduction 1. Historical and Philosophical Background: Kant and Schiller, the Revolution, and the Malaise of Modernity 2. From the Symbolic to the Humoristic and Back: The New Sacred of Art 3. (The Absence of) Art’s Right 4. Futures of Art: Hegel, Danto, Pippin 5. Antigone, the Disappearance of the Tragic, and Human Rights 6. Croce and Gramsci (and Gentile) on Hegel’s Dialectics and the Death of Art 7. Subjects and Destinies of Poetry: Heidegger and Celan 8. No Code Aesthetics