Hayward Oubre

Katelyn D. Crawford is the William Cary Hulsey Curator of American Art at the Birmingham Museum of Art, AL; Amalia K. Amaki is an artist, art historian, educator, film critic and curator; Rebecca L. Giordano is an art historian and curator who specializes in race, gender, and transnational exchange in the Americas in the 20th century; Shawnya L. Harris is the deputy director of Curatorial and Academic Affairs and the Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at Georgia Museum of Art, GA; Marin R. Sullivan is a Chicago-based art historian, curator, educator, and consultant; Diana Tuite is the visiting senior curator of Modern and Contemporary Art at the Stanley Museum of Art, University of Iowa; Hina M. Zaidi is the curatorial assistant at the Birmingham Museum of Art, AL.

• Director’s Foreword, Graham C. Boettcher; Acknowledgements; Structural Integrity by Katelyn D. Crawford; Perspective on Hayward Oubre by Anthony Green; Meetings with a Remarkable Man by Carter B. Cue; Discovering Hayward Oubre by Brenda and Larry Thompson; Uncrossed Wires: Miscegenation from the Inside Out by Amalia K. Amaki; Plates 1—13; A Rich Background: Hayward Oubre and the Iowa Idea(l) by Diana Tuite; Trees of Learning: Hayward Oubre, Hale Woodruff, Selma Burke, and Art Education in Southern HBCUs by Rebecca Giordano; Plates 14—30; Hayward Oubre: The Painter by Shawnya L. Harris; Outside the Lines by Marin R. Sullivan; Plates 31—52; A Great Mentor Makes Great Artists by Noah Jemisin; The Legacy of H. L. Oubre by Floyd W. Coleman, Sr.; Mr Oubre as My Teacher by Paul A. Gary; Chronology by Hina M. Zaidi and Katelyn D. Crawford; Selected Bibliography; Index; Typography Credits; Photography Credits

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