Hauntings

Joseph Natoli teaches postmodernism at the Center for Integrative Studies/Arts and Humanities at Michigan State University. He is the editor of Tracing Literary Theory, Literary Theory's Future(s), Psychological Perspectives on Literature: Dissident Freudian and Non-Freudian, and co-editor of A Postmodern Reader (with Linda Hutcheon), published by SUNY Press; author of Mots D'Ordre: Disorder in Literary Worlds, also published by SUNY Press, and Twentieth Century Blake Criticism: Northrop Frye to the Present; and co-author of Psychocriticism.

• Prologue Basic and Postmodern Instincts: The New Popular Realism in Film Hunting the Haunted Heart Moving Laterally across the Capes of Fear Rebels and Rioters with Unsayable Causes Home Alone Watching the Rodney King Tape, Or, Having Jeffrey Dahmer Over for Dinner Rocking the Cradle of Family Values Free Market or Free Play? Intermezzo: Between Film and Culture The Free Play of Popular Film Geckoid Democracy and the Garfieldian American Dream The Unforgiven: Histories and "Indians" Robbin' N' the Hood N' the Nabe Guns and Provolone: 'Wilding' and Wiseguys Doing the Wrong Thing After Bob Roberts: Was This a Postmodern Presidential Campaign? The Final Dance around the Planet: Green Space versus Self Space Notes

"This book is so very topical—in the best of all possible senses. It uses contemporary films to comment upon broader social issues: violence, homophobia, sexual abuse, television, capitalism, class, marriage, ecology, democracy, greed, subcultures, and the list could go on. The fears of America—the hauntings by the Rodney King decision, presidential elections, wilding, Bensonhurst—inform and form the insights into the films as well. The mutual interplay is productive and exciting."The thesis that popular culture, though constrained by the Market and its values, plugs into what 'haunts' contemporary culture at large, is original, important, disturbing. This is a theoretically sophisticated work that wears its theory with grace. The bringing together of the personal 'hauntings' with the films and headlines is particularly effective." — Linda Hutcheon, University of Toronto"The author tackles new territory in a strikingly new fashion; it is engagingly postmodern and reader-friendly. This book begins a project of cultural redemption, in that it is valuable to the scholar and the casual reader alike, and not an elitist text in any sense." — Wheeler Winston Dixon, University of Nebraska