Claire Hines is Senior Lecturer in Film and Television Studies at Southampton Solent University, UK. She is co-author of Fantasy (with Jacqueline Furby, 2011) and her research and publications focus on James Bond, men's magazines, and representations of gender and sexuality on screen. Darren Kerr is Senior Lecturer in Film and Television Studies at Southampton Solent University, UK. He is co-editor of Tainted Love: Screening Sexual Perversities (with Donna Peberdy, 2012) and his research and publications focus on adaptation, pornography, and short films.

• Notes on Contributors Introduction: Is Hard-core Hard to Swallow?, by Claire Hines and Darren Kerr Part One. Turned On: Hard-core Screen Cultures 1. Pornography in the Multiplex, by Brian McNair 2. The Dark Side of Hard-core: Critical Documentaries on the Sex Industry, by Karen Boyle 3. Art School Sluts: Authenticity and the Aesthetics of Altporn, by Feona Attwood 4. Pornogogy: Teaching the Titillating, by Mark Jones and Gerry Carlin Part Two. Come Again? Hard-core in History 5. 'White Slavery', Or the Ethnography of 'Sexworkers', by Linda Williams 6. Lost in Damnation: The Progressive Potential of Behind the Green Door, by Darren Kerr 7. The Limits of Pleasure? Max Hardcore and Extreme Porn, by Stephen Maddison 8. Playmates of the Caribbean: Taking Hollywood, Making Hard-core, by Claire Hines Part Three. Fluid Exchanges: Hard-core Forms and Aesthetics 9. Fashionably Laid: The Styling of Hard-core, by Pamela Church Gibson and Neil Kirkham 10. Shortbus: Highbrow Hard-core, by Beth Johnson 11. Homespun: Finnporn and the Meanings of the Local, by Susanna Paasonen 12. Reel Intercourse: Doing Sex on Camera, by Clarissa Smith 13. Power Bottom: Performativity in Commercial Gay Pornographic Video, by John Mercer 14. Interrogating Lesbian Pornography: Gender, Sexual Iconography and Spectatorship, by Rebecca Beirne Selected Filmography Index

An excellent snapshot of porn studies as they are today and provides an insight into the range and quality of critical engagement with hardcore pornography in the industry, in the academy, and beyond. -- Laura Ellen Joyce New Review of Film and Television Studies