William Coperthwaite was a native of Maine who traveled the world in search of folk-art techniques and subsistence skills. Impressed by the beauty and intelligence of the traditional central Asian nomadic tents called "yurts," Coperthwaite adapted and introduced to North America yurt design and construction. For four decades he participated in building more than three hundred yurts for family homes, schools, camps, and outbuildings. Awarded a doctorate from Harvard University's School of Education for his work with Eskimo villagers, Coperthwaite taught in a variety of innovative educational settings. William passed away unexpectedly in late 2013. His organization, the Yurt Foundation, continues to serve to promote sensible and economical self-reliance through workshops, lectures, and publications. Peter has become a leader for the American conservation movement by creating a life in conservation as photographer, writer, and storyteller about the relationship between people and place. For the last fifteen years, Peter has focused his energies on bringing together and strengthening the worlds of environmentalism and social justice and offering those professions his experience with story, facilitation, contemplative practice, and relationship to nature.  Peter is always learning and innovating across the boundaries of profession, culture, and home, and this has made his work influential to the different fields of leadership development, sustainability, philanthropy, and conservation. You might find him teaching spoon-carving on a city street, or giving a keynote address on courage at a national conference, or helping to heal a fracture within a community, or photographing a lost art.  What he cares most about is strengthening people’s connections to one another and the land that sustains them, the most visible and important example being his family’s farm and tapestry in the Mad River Valley of Vermont. He is the co-editor of Our Land, Ourselves, author of The Great Remembering and What Is a Whole Community,  and co-author of Coming to Land in a Troubled World, and collaborated with William Coperthwaite as the photographer for A Handmade Life. You can learn more about him at Peterforbes.org.John Saltmarsh is one of the founders of The Good Life Center, the Nearing's former homestead in Harborside, Maine. He is an associate professor at Northeastern University in Boston with a joint appointment in the departments of Cooperative Education and History. He has been a Visiting Research Fellow at the Feinstein Institute for Public Service for Providence College. He resides in Wayland, Massachusetts.

Publishers Weekly-Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a "democratic chair" or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a "handmade life" and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for "a bread so good to both the palate and to health that a diet of bread and water would be a delight" is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)

William Coperthwaite was a native of Maine who traveled the world in search of folk-art techniques and subsistence skills. Impressed by the beauty and intelligence of the traditional central Asian nomadic tents called "yurts," Coperthwaite adapted and introduced to North America yurt design and construction. For four decades he participated in building more than three hundred yurts for family homes, schools, camps, and outbuildings. Awarded a doctorate from Harvard University's School of Education for his work with Eskimo villagers, Coperthwaite taught in a variety of innovative educational settings. William passed away unexpectedly in late 2013. His organization, the Yurt Foundation, continues to serve to promote sensible and economical self-reliance through workshops, lectures, and publications. Peter has become a leader for the American conservation movement by creating a life in conservation as photographer, writer, and storyteller about the relationship between people and place. For the last fifteen years, Peter has focused his energies on bringing together and strengthening the worlds of environmentalism and social justice and offering those professions his experience with story, facilitation, contemplative practice, and relationship to nature.  Peter is always learning and innovating across the boundaries of profession, culture, and home, and this has made his work influential to the different fields of leadership development, sustainability, philanthropy, and conservation. You might find him teaching spoon-carving on a city street, or giving a keynote address on courage at a national conference, or helping to heal a fracture within a community, or photographing a lost art.  What he cares most about is strengthening people’s connections to one another and the land that sustains them, the most visible and important example being his family’s farm and tapestry in the Mad River Valley of Vermont. He is the co-editor of Our Land, Ourselves, author of The Great Remembering and What Is a Whole Community,  and co-author of Coming to Land in a Troubled World, and collaborated with William Coperthwaite as the photographer for A Handmade Life. You can learn more about him at Peterforbes.org.John Saltmarsh is one of the founders of The Good Life Center, the Nearing's former homestead in Harborside, Maine. He is an associate professor at Northeastern University in Boston with a joint appointment in the departments of Cooperative Education and History. He has been a Visiting Research Fellow at the Feinstein Institute for Public Service for Providence College. He resides in Wayland, Massachusetts.

Publishers Weekly-Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a "democratic chair" or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a "handmade life" and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for "a bread so good to both the palate and to health that a diet of bread and water would be a delight" is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)

William Coperthwaite was a native of Maine who traveled the world in search of folk-art techniques and subsistence skills. Impressed by the beauty and intelligence of the traditional central Asian nomadic tents called "yurts," Coperthwaite adapted and introduced to North America yurt design and construction. For four decades he participated in building more than three hundred yurts for family homes, schools, camps, and outbuildings. Awarded a doctorate from Harvard University's School of Education for his work with Eskimo villagers, Coperthwaite taught in a variety of innovative educational settings. William passed away unexpectedly in late 2013. His organization, the Yurt Foundation, continues to serve to promote sensible and economical self-reliance through workshops, lectures, and publications. Peter has become a leader for the American conservation movement by creating a life in conservation as photographer, writer, and storyteller about the relationship between people and place. For the last fifteen years, Peter has focused his energies on bringing together and strengthening the worlds of environmentalism and social justice and offering those professions his experience with story, facilitation, contemplative practice, and relationship to nature.  Peter is always learning and innovating across the boundaries of profession, culture, and home, and this has made his work influential to the different fields of leadership development, sustainability, philanthropy, and conservation. You might find him teaching spoon-carving on a city street, or giving a keynote address on courage at a national conference, or helping to heal a fracture within a community, or photographing a lost art.  What he cares most about is strengthening people’s connections to one another and the land that sustains them, the most visible and important example being his family’s farm and tapestry in the Mad River Valley of Vermont. He is the co-editor of Our Land, Ourselves, author of The Great Remembering and What Is a Whole Community,  and co-author of Coming to Land in a Troubled World, and collaborated with William Coperthwaite as the photographer for A Handmade Life. You can learn more about him at Peterforbes.org.John Saltmarsh is one of the founders of The Good Life Center, the Nearing's former homestead in Harborside, Maine. He is an associate professor at Northeastern University in Boston with a joint appointment in the departments of Cooperative Education and History. He has been a Visiting Research Fellow at the Feinstein Institute for Public Service for Providence College. He resides in Wayland, Massachusetts.

Publishers Weekly-Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a "democratic chair" or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a "handmade life" and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for "a bread so good to both the palate and to health that a diet of bread and water would be a delight" is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)