Handbook to the Reception of Ovid

John F. Miller is the Arthur F. and Marian W. Stocker Professor of Classics and Chair of the Department of Classics at the University of Virginia. His publications include Apollo, Augustus, and the Poets (2009) and Ovid’s Elegiac Festivals: Studies in the Fasti (1991).Carole Newlands is Professor of Classics at the University of Colorado Boulder. Her publications include Statius: Poet between Rome and Naples (2012); Statius, Siluae 2, A Commentary (2011); Statius’ Siluae and the Poetics of Empire (2002); Playing with Time: Ovid and the Fasti (1995).

• Illustrations ixNotes on Contributors xiAcknowledgments xviiIntroduction 1Carole E. Newlands and John F. Miller1 Ovid’s Self-Reception in His Exile Poetry 8K. Sara Myers2 Modeling Reception in Metamorphoses: Ovid’s Epic Cyclops 22Andrew Feldherr3 Ovidian Myths on PompeianWalls 36Peter E. Knox4 Ovid in Flavian Occasional Poetry (Martial and Statius) 55Gianpiero Rosati5 Poetae Ovidiani: Ovid’s Metamorphoses in Imperial Roman Epic 70Alison Keith6 Ovid in Apuleius’ Metamorphoses 86Stephen Harrison7 A Poet between TwoWorlds: Ovid in Late Antiquity 100Ian Fielding8 Commentary and Collaboration in the Medieval Allegorical Tradition 114Jamie C. Fumo9 The Mythographic Tradition after Ovid 129Gregory Hays10 Ovid’s Exile and Medieval Italian Literature: The Lyric Tradition 144Catherine Keen11 Venus’s Clerk: Ovid’s Amatory Poetry in the Middle Ages 161Marilynn Desmond12 The Metamorphosis of Ovid in Dante’s Divine Comedy 174Diskin Clay13 Ovid in Chaucer and Gower 187Andrew Galloway14 Ovid’s Metamorphoses and the History of Baroque Art 202Paul Barolsky15 The Poetics of Time: The Fasti in the Renaissance 217Maggie Kilgour16 Shakespeare and Ovid 232Sean Keilen17 Ben Jonson’s Light Reading 246Heather James18 Love Poems in Sequence: The Amores from Petrarch to Goethe 262Gordon Braden19 Don Quixote as Ovidian Text 277Frederick A. de Armas20 Spenser and Ovid 291Philip Hardie21 Ovidian Intertextuality in Ariosto’s Orlando Furioso 306Sergio Casali22 “Joy and Harmles Pastime”: Milton and the Ovidian Arts of Leisure 324Mandy Green23 Ovid Translated: Early Modern Versions of the Metamorphoses 339Dan Hooley24 Ovid in Restoration and Eighteenth-Century England 355James M. Horowitz25 The Influence of Ovid in Opera 371Jon Solomon26 Ovid in Germany 386Theodore Ziolkowski27 Ovid and Russia’s Poets of Exile 401Andrew Kahn28 Alter-Ovid—Contemporary Art on the Hyphen 416Jill H. Casid29 Contemporary Poetry: After After Ovid 436Sarah Annes Brown30 Ovid’s “Biography”: Novels of Ovid’s Exile 454Rainer Godel31 Ovid and the Cinema: An Introduction 469Martin M.WinklerIndex 485

“The multi-authored Handbook to the Reception of Ovidis far more wide-ranging, and considers the whole field of Ovidian influence on literature, education, the visual arts, and film, from antiquity to the present day.” (Translation and Literature, 1 May 2015)“While readers will also want to consult works by Doody (1985), Hopkins (2010), Oakley-Brown (2006) and Martindale (1988) — among many others, too numerous to list — this new Handbookis highly recommended as a scholarly introduction to the reception of Ovid.”  (Eighteenth-century Studies and Eighteenth-century Literature, 1 October 2014)